Tuesday, October 7, 2003
"Renee Fleming will be doing probably just the Aria, with the cellists organized by Edward Aron, who is an award-winning cellist from our very own town of New Castle, only he is from the Chappaqua side of the tracks. Aron also does some programming with the station, so he told them about his performance, which incidentally includes VL and Renee."
So make sure you catch tonight's program (and you'll also get to see Uma Thurman doing her Kill Bill promotion).
Tuesday, September 2, 2003
Besides letting people know about concerts they may wish to attend, these pages now play another role: to document Villa-Lobos concerts from around the world over the past six years. I've analyzed the concerts by work, and will be keeping this information up-to-date in a spreadsheet linked to at the page above. It's also available in this cool new format from Macromedia called FlashPaper - here's the link: http://www.rdpl.org/villa/concerts/ConcertsSpreadsheet.htm.
Please let me know about any Villa-Lobos performances coming up in your neck of the woods.
Wednesday, August 20, 2003
What's even more exciting about this release is that it's billed as the first in a new series of the Villa-Lobos Choros. It's great to see ASV paying some attention to the orchestral music of Villa-Lobos (their excellent series of piano music with Alma Petchersky continues with a well-chosen recital in the series' third volume). The orchestra featured is the Orquesta Filharmonica de Gran Canaria, under the direction of Adrian Leaper. I see by the Upcoming Concerts and Archived Concerts pages of the Heitor Villa-Lobos Website that Leaper conducted the following Villa-Lobos works in the Canary Islands: Choros 10 in March of 2003, Uirapuru in September of 2002, and Bachianas Brasileiras no. 2 in February 2001. That may indicate that other orchestral Villa-Lobos may be on its way. I'm anxious to hear this new release (to be shipped by Amazon.com later this week), and the upcoming releases from ASV.
Can't wait to hear Choros 6? Listen in to Cultura FM from Sao Paulo this Monday, August 25, at 11:00 a.m., Sao Paulo time (9 a.m. EDT), and you can hear it played by the Orquestra Petrobras Pro-Musica, conducted by Roberto Tibirica - listen here on the Internet.
Thursday, July 3, 2003
Norton Morozowicz, conductor
Miguel Proença, piano
Villa-Lobos, Preludio da Bachianas Brasileiras no. 4; Saudades das Selvas Brasileiras, no. 1 & 2; Seis Cirandas (Theresinha de Jesus – A Condessa – Senhora Dona Sancha – O Cravo Brigou com a Rosa – Passa, Passa Gaviao); Valsa da Dor; Hommage à Chopin
Prokofiev, Concerto No. 1 for Piano and Orchestra, in D-flat Major, op. 10
Bartok, Concerto No. 3 for Piano and Orchestra
There's also plenty of historical information, including this picture from 1958:
Villa-Lobos' last concert with the BSO and Sônia Maria Strutt acknowledging the ovation to the execution of the Maestro's "Momo Precoce", on August 24, 1958
All in all a fine site. I even have one of the computer wallpapers decorating my Windows desktop.
Thursday, June 5, 2003
On Sunday, June 8 at 12:00 noon - on the program Acervo Cultura, the first program in the series "Os Choros de Villa-Lobos." Following at 1:00 p.m. is a program of music by the great Brazilian pianist Nelson Freiere. Recently I've been enjoying listening to Freiere's performance of Rudepoema.
The next day, June 9 at 4:00 a.m., you can hear the Quarteto Amazônia perform the 7th String Quartet. Later, at 10:00 a.m., you can hear the same ensemble in Quartet 11. Better yet, buy the whole set of quartets from Kuarup.
June 12 at 11:00 is the second program in the series "Os Choros de Villa-Lobos."
On June 16 at 11:00, pianist Nahim Marun and violinist Claudio Cruz perform Sonata Fantasia n° 2.
June 18 at 11:00 is the third program in the "Os Choros de Villa-Lobos" series.
On June 23 at 11:00 you can hear an important work by Camargo Guarnieri, the greatest composer of the generation following Villa-Lobos: his 3rd Symphony, performed by the Orquestra Sinfônica do Estado de São Paulo, conducted by Johh Neschling.
June 25 at 11:00 is the fourth "Os Choros de Villa-Lobos" program.
Monday, May 12, 2003
Last week, Minister of Canadian Heritage Sheila Copps unveiled the names of the five Cultural Capitals of Canada for 2003, at a news conference in Vancouver. The five cities chosen are: Caraquet (New Brunswick), Red Deer (Alberta), Rivière-du-Loup (Quebec), Thunder Bay (Ontario) and Vancouver (British Columbia). There's more on this announcement at the Canadian Heritage site, and at the City of Red Deer site.
The key to Red Deer's success in the world of culture lies in the city's Community Culture Masterplan, and the long-standing grass-roots partnerships that underlie it. This intensely collaborative environment makes it so much easier for people and organizations to make important, lasting, sustainable cultural statements within a community and around the world. As someone who has the privilege of working in such an environment, I'm proud to celebrate this important national recognition of a great community.
Max Eschig is the most important person from the music publishing industry in the life of Villa-Lobos. It was Eschig more than anyone who helped make Villa's name in the wider world.
Max Eschig (1872-1927)
Friday, April 11, 2003
You'll see that people from around the world are visiting the site, with the largest numbers coming from the Central European, Brazilian and Eastern and Western North American Time Zones. The Organization Tracking graph adds detail:
Here you'll see Brazil, France, Belgium, the UK, Austria, Japan and Italy at the top of the country list (I expect most US and Canadian visitors come from the .net, .com and .edu domains).
These results show the widespread interest in Villa-Lobos - his appeal is international!
Tuesday, March 25, 2003
Kostelanetz's version of the work points up the full-blown kitschy charm of Villa's music - this is definitely the master letting his hair down! Not profound music, but definitely fun. As Prado says, Villa-Lobos "re-fashioned" many of his favourite melodies - some famous and some lifted from obscure works of his past.
The Kostelanetz LP hasn't been reissued on CD (though I think it would sell well, judging by the recent mini-boom in Villa-Lobos recordings), so you'll need to search it out in libraries (the University of Alberta has a copy) or used-disc stores and websites. The only CD of the complete musical, which Prado praises highly, is hard to come by - I had an order in at amazon.com forever, and it was finally cancelled.
The Teatro Amazonas, a great opera house in the tropical rain-forest.
Your best bet for hearing this music: go to the VII FESTIVAL AMAZONAS DE ÓPERA at the great tropical opera house in Manaus. Magdalena will be performed on the 26th and 29th of April and the 1st of May, with Ligia Amadio conducting the Amazonas Filarmônica, the Coral do Amazonas, the Corpo de Dança do Amazonas and a Coral Infantil. A last minute trip to Brazil would be nice...
Thanks to Bert Berenschot for providing this amazingly entertaining music.
On April 28 at 11:00 a.m., the rarely heard Ciranda das sete notas for bassoon and strings is performed by the great bassoonist Noel Devos, with the Orquestra de Câmara Brasileira conducted by Bernardo Bessler. The same program includes works by Brazilian composers of a new generation: Blauth (b. 1931), Nobre (b. 1939) and Lacerda (b.1927).
Speaking of Brenno Blauth, you can listen to a movement from his Concertino para oboe y cuerdas performed by Argentina's Camerata Bariloche, with oboist Andres Spiller. There are many other pieces by Latin American composers on the same page - check out this excellent site.
Wednesday, February 19, 2003
At 11:00 on March 18, the Quatuor, 'Impressões da vida mundana' is performed by the Lontano Ensemble and the BBC Singers, under the direction of Odaline de la Martinez. This is from the 2002 Lorelt CD, which seems to be only available at the UK Amazon site.
At 11:00 on March 27, Eleazar de Carvalho conducts the Orquestra Sinfônica da Paraíba in Uirapurú.
At 15:00 on March 31st you can hear parts of a concert of music by Villa-Lobos and Hekel Tavares at the Theatro Municipal do Rio de Janeiro, with the Orquestra Sinfônica Petrobras Pró Música conducted by Roberto Tibiriça. The pianist is Arnaldo Cohen (piano).
Friday, January 31, 2003
I've recently added a fairly comprehensive article on Villa-Lobos. I will be keeping an eye on the article, and hope to see readers of The Villa-Lobos Magazine and the Heitor Villa-Lobos Website make their own contributions to the main article or any related topics.
I hope that the Villa-Lobos community will be able to provide information on Villa-Lobos and Brazilian classical music to Wikipedia in other languges, especially Portuguese.
Thursday, January 9, 2003
José Vieira Brandão
Brazilian composer and pianist
18 October 2002
It's a tough life being a composer in a country where a single towering figure epitomises its music both at home and abroad. Even now, Finnish composers still feel Sibelius looming over them (indeed, the late Einar Englund called his 1996 autobiography I skuggan av Sibelius – "In the Shadow of Sibelius"). For Brazilian musicians it is Heitor Villa-Lobos who hogs the limelight. But for José Vieira Brandão Villa-Lobos' pre-eminence presented an opportunity rather than a threat, and he became one of his closest musical companions.
Brandão's musical ability was evident in childhood, and at eight he moved south from Minas Gerais to Rio de Janeiro to continue his musical education, first studying piano privately and then at the Instituto Nacional de Música, graduating with a gold medal in 1929; three years later he was awarded the diploma of the Conservatório Nacional de Canto Orfeônico, and choral conducting was to become the other mainstay of his life as a practising musician.
His ability as a pianist was impressive enough for the French pianist Marguerite Long, on a visit to Brazil, to ask him to come to France to study with her, and he accepted. But it was not to be, as he later explained in an interview:
At that time I had met Villa-Lobos, when he started to introduce his ideas in musical education into the public schools in Brazil. My trip to France was already scheduled but I decided to stay here and work in his project.
His collaboration with Villa-Lobos was an almost permanent feature of his early life. As a youth he spent his afternoons at Villa-Lobos' house, playing his mentor's music on the piano, and was to give the premieres of many of his piano compositions; later, in 1942, he was the piano soloist in the first performances of the Chôros No 11 in Rio and the Bachianas Brasileiras No 3 in New York, both conducted by the composer.
He became Villa-Lobos' assistant in 1932, helping him in his ambitious reform programme for music education in Brazilian schools, later pushing the project forward himself. In 1934 he founded the Madrigal Vox do Conservatório Brasileiro de Música and led the group until 1943; in parallel he held positions as an assistant professor of music and then professor of arts, becoming a professor at the Conservatório de Canto Orfeônico in 1943, and remaining there until 1967. He was president of the Conservatório Brasileiro de Música from 1940 until his last years, and one of the founders of the Academia Brasileira de Música in 1945.
Vieira Brandão began to compose at the age of 15, but his composition didn't really pick up speed until after 1940; by the time of his death his catalogue contained some 100 works, written in a national-Romantic style. His choral music, the technique sharpened by years of practical experience, buzzes with Brazilian rhythms and forms an important contribution to the Brazilian choral tradition. Nor did he neglect his own instrument, the piano, and the musicologist and Vieira Brandão scholar Maria Teresa Madeira singles out the 4 Études, the two Serestas (1942) and the Fantasia Concertante for piano and orchestra (1937-59).
Thanks, Martin, for that beautiful tribute. It's our opportunity to learn more about this key figure in the Villa-Lobos world.
As I write this, I'm listening to the Brazilian String Quartet play Brandão's Miniatura. This lovely piece is the only work I've heard from what looks to be a significant body of music. It's on an excellent disc I received late last year, on the Albany label from New York. Entitled "Brazilian String Quartet", it includes music by Villa-Lobos and two other composers of the generations after Villa: Radames Gnattali and Cesar Guerra Peixe, performed by one of the premiere chamber ensembles of Brazil. I'm afraid it won't be easy for most of us to hear more of the music of Brandão, though. Amazon.com lists only the piece for String Quartet.
There is an opportunity to hear one of Brandão's chamber works coming up - I happened to mention it yesterday in a post to The Villa-Lobos Magazine. At 11:00 São Paulo time (10 a.m. EST) on February 5th, you can hear his Divertimento for flute, oboe, clarinet, trumpet and bassoon on Cultura FM. Listen here on the Internet.
I'll be on the lookout for more of this music, from online vendors in Brazil and around the world. I'll report my findings here.
Wednesday, January 8, 2003
Here are radio programs of interest from Sao Paulo's Cutural FM for January - listen here on the Internet. Times are local Sao Paulo times, one hour ahead of EST.
At 11:00 on January 7, Janos Starker performs the Fantasia for cello & orchestra. Eleazar de Carvalho conducts the Orquestra Sinfônica da Paraíba. This is from the excellent Brazilian Festival '88: A Brazilian Extravaganza CD on the Delos label, still available from Amazon.com.
The following day, again on the Cirandas program at 11:00, you can hear three relatively unfamiliar works from the great Choros series: the epic number 12, along with two witty chamber pieces: number 7 and 4.
At 12:00 on January 12th, the program Acervo Cultura presents "As notas são": "Da música brasileira. Série de 13 programas dedicados à composição erudita do Brasil. Em destaque: A CRIAÇÃO E A CRÍTICA (VILLA-LOBOS E FRANCISCO MIGNONE OS CRIADORES, CARLOS MAUL, E DOIS ANÔNIMOS OS CRÍTICOS). Idealização e apres.: Sérgio Vasconcellos Correa. Apoio de produção: João Antonio Batista. Produção: José Roberto Prazeres - 1990." I'll try listening to this, but I'm not sure if my extremely limited Portuguese will allow me to understand much.
At 11:00 on January 13, you can hear one of the best of Villa's Symphonies, his Sixth. This performance by Carl St. Clair and the Radio Symphony Orchestra of Stuttgart is also one of the best in the excellent cpo series of complete symphonies.
At 15:00 on January 27, the great String Trio is performed by the Ensemble Capriccio, from a 2001 Paulus CD. Also on the programme is a work by a composer I don't know, Amaral Vieira. His Quintet for piano and strings is op. 297, so there's a lot of Vieira out there to listen for in the future. The Villa-Lobos String Trio is repeated at 11:00 on January 30, along with a very interesting group of other works: New York Skyline for piano, the Dança do índio branco and Improviso em homenagem a Villa-Lobos by pianist João Carlos Assis.
Looking ahead to February, there's a short piece I'm looking forward to hearing. It's the Divertimento by the late José Vieira Brandão. Brandão, a close associate of Villa-Lobos and an excellent composer in his own right, performed many premieres of works by Villa-Lobos. He died in October of 2002. The Divertimento is performed by a chamber group of excellent Brazilian players: Andréa Ernest Dias (flute), Luiz Carlos Justi (oboe), José Botelho (clarinet), Philipp Doyle (trumpet) and Noel Devos (bassoon). Listen at 11:00 on February 5th.
On February 28 at 11:00, the rarely performed Introdução ao Choros for guitar and orchestra can be heard. This is from a highly recommended Ondine CD with the Finnish guitarist Timo Korhonen.