In his Ninth – just like Beethoven in his Eighth – Villa-Lobos makes use of disguise. We are presented here with agitated propulsion, the thick layer of orchestral activity that flows in a seemingly uncontrolled manner, but this is his shortest symphony, more economic in terms of ideas and, although the orchestration sounds chimerical in comparison with the likes of Haydn, pre-Beethoven symphonies are his formal inspiration.
News about Heitor Villa-Lobos on the web and in the Real World.
Blogging Villa-Lobos since October 2001.
Thursday, February 20, 2020
Ninth Symphony from The Philadelphia Orchestra
This is very exciting: the Internet Archive has a recording of the 1951 premiere performance of the Ninth Symphony of Heitor Villa-Lobos performed by The Philadelphia Orchestra, conducted by Eugene Ormandy. This is the only recording of this interesting and surprising work that I know of, other than those from the complete symphony series from Stuttgart & São Paulo. Here is what Fábio Zanon said about it, in his liner notes to the recent Naxos recording from São Paulo.
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