Wednesday, August 3, 2022

Antônio Meneses plays Cello Concertos by Villa-Lobos

Antônio Meneses plays the 2nd Cello Concerto of Heitor Villa-Lobos, with Isaac Karabtchevsky conducting the São Paulo Symphony Orchestra (OSESP), from a 2021 concert.

Villa-Lobos began his musical career as a cellist, and the instrument remained an important part of his music - along with the guitar and piano - throughout his life. This fine piece, written for Aldo Parisot in 1953, deserves a place in the repertoire.

Here's another, even less well-known, work for cello and orchestra by Villa-Lobos: the Fantasia for Cello and Orchestra, written in 1945 and dedicated to Serge Koussevitzky. Once again Antônio Meneses plays the cello, and Isaac Karabtchevsky conducts the São Paulo Symphony Orchestra (OSESP), this time from a 2022 concert.

While this is called a Fantasia, it's in effect a three-movement concerto. Though come to think of it, nearly all of Villa-Lobos's orchestral music - Concertos, Choros, Bachianas Brasileiras, even Symphonies - might have been called Fantasias. He's always ready to add new material into the musical mix, and themes rarely stick around long enough for us to tire of them. This is Villa's true fecundity; the myth of his heroically prolific output has been over-blown. To reach the oft-quoted number of 2,000 works, more than half would be transcriptions and arrangements made as part of his educational output. He's actually in the same ballpark as many other busy composers, including his idol Bach. David Appleby came up with 592 works in his listing of Villa-Lobos's output, while Ludwig Köchel's catalogue of Mozart's works goes up to 626.

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