
O Trenzinho do Caipira: Projeto Villa-Lobos is a children's theatre project "para Crianças de Todas as Idades" - for children of all ages. Check out their blog for pictures, video, and stories about their many awards.
News about Heitor Villa-Lobos on the web and in the Real World.
Blogging Villa-Lobos since October 2001.


On his version of the Heitor Villa-Lobos composition "Bachianas Brasileiras No. 5" a plucked cello chorus and layered Brazilian rhythms combined into a luxurious Baroque. Wayne's practice sessions with Coltrane on string exercises paid off in his saxophone solo, the tone of which showed an uncanny empathy for the cellos' delicate strength; like his work with Milton Nascimento, the Brazilian piece brought out Wayne's romantic side.(p. 266). Mercer points out at another place in the book that Milton Nascimento's mother was a musician who played with Villa-Lobos - I'm not sure in what context, but I'll see if I can find out. I'm also anxious to listen again to Shorter's collaboration with Nascimento (1974's Native Dancer, for example).

"...we rolled over to the Waldorf last week to have a talk with Heitor Villa-Lobos, the Brazilian composer..."So begins a typically breezy "Talk of the Town" story, from the February 10, 1945 issue of The New Yorker.
"When we encountered him he was perched on the edge of a chair, like a small, plump, excited sparrow, wearing a sleeveless sweater, gray slacks, blue shoes, and a look of vast amiability."Here's the amiable composer from the same year, in this LIFE photograph by W. Eugene Smith - © Time Inc.:
"A few years ago he composed 'New York Skyline' after studying a photograph of Manhattan. We asked him how the city compared with his preconception of it and whether he thought his 'Skyline' needed any remodelling. His musical interpretation, he said proudly, was right on the nose."Here's a 1945 photograph of the New York Skyline by Andreas Feininger, also from Google's LIFE archive:


Finally, the extremely condensed gem Feijoada Sem Perigo seems to capture Villa-Lobos in the very moment of creation. In its brevity it manages to express the very essence of a musical thought, primeval and unaltered by further elaboration. The piece was dedicated to Dora Vasconcellos, the Brazilian consul in New York at the time, and the author of a few poems that Villa-Lobos set to music. Villa-Lobos dedicated the piece to Dora Vasconcellos to thank her for an invitation to partake of the quintessential Brazilian dish at her home in New York.FINALLY, November 13, 2008: So, here's the proper Brazilian feijoada, with ingredients from the Wikipedia article:
and the other side:
Manuel Negwer, Heitor Villa-Lobos und der Aufbruch der brasilianischen Musik, Mainz: Schott Music, 2008.
The book, which also includes a CD, is available from JPC online and Amazon.de
4(2flpic).3(1cor ang).4(1clpic, 1clB).3(1cbn) - 1 sarrusophone - 4(ou 8).4.3.1 - 3perc, 1timb, 1cel, 1pno, 2hp - 1 cythara do arco (ou 1 violinophone), 1viole d'amour - crdBesides the orchestra taking up the full stage, there are a few interesting items here.
But it was the Long Beach Symphony that invited Simons to return to the Southland, and he appeared as soloist in a Villa-Lobos violin concerto titled "Fantasia de Movimentos Mixtos" (Fantasy of Mixed Movements) Saturday night at the Terrace Theater. Once again, Simons played quirky music to which he had a personal connection, and once again he proved irresistible.
Strangely enough, there was no mention in the program or even by music director Enrique Arturo Diemecke in his concert preview discussion that Villa-Lobos' concerto from 1941 was receiving its U.S. premiere. It had been lost for more than half a century and was only recently found by Simons' father at the bottom of a barrel in an Amsterdam secondhand music shop.
Thanks to Patrick at visualmyth for the link.
Villa-Lobos found that his concerts were often poorly attended because of the public's preference for soccer, this led him to denounce the sport violently. One of his phrases became famous: "Soccer causes human intelligence to detour from the head to the feet!" The Brazilian soccer fans responded vigorously to the challenge. In one town they bombarded the touring musicians with rotten eggs, and the threat of similar treatment caused the group to leave another town in the early morning hours.
David E. Vassberg, "Villa-Lobos as Pedagogue: Music in the Service of the State," Journal of Research in Music Education, Vol. 23, No. 3 (Autumn, 1975), p. 165
Gustavo Dudamel conducts the amazing cellists of the Berlin Philharmonic. Ana María Martínez sings beautifully.
"Normally, when three Canadians play a Czech on a Saturday night in Charleston (WV), it means you're watching a National Hockey League game on television. The Canadian trio gave a brilliant performance of the piece (Martinu's String Trio)."The group is named for Canadian composer Murray Adaskin (1906-2002), whose music sometimes seems a bit like a Great White North version of some of Villa-Lobos's. They both share an interest in folk music and a tendency towards neo-classicism. There are some samples of Adaskin's music here, on the Canadian Music Centre website.
| VILLA-LOBOS, H.: Piano Music, Vol. 7 (Rubinsky) - Amazonas / Historias da Carochinha / Valsa Scherzo 8.570503 Amazonas (version for piano) • 5 Preludes (arr. J.V. Brandao for piano) • Bachianas brasileiras No. 2, `O trenzinho do Caipira`: III. Dansa, `Lembrancas do Sertao` (arr. for piano) • Valsa Scherzo • Bailado infernal • Feijoada sem perigo • Historias da Carochinha • Cancoes de Cordialidade • Cortejo Nupcial • Valsa Lenta (fragment) |
In this video, Southwest Chamber Music's Artistic Director Jeff von der Schmidt talks about two California concerts coming up this weekend, which will feature Villa-Lobos's Choros #02 and BB#6.


28-31 octobre, Lausanne Château FallotThis well-filled disc hits some of the real high points of Villa's extraordinarily well-recorded piano music. I'm looking forward to it.
Enregistrement: CD -Villa-Lobos no.2
IV Bachianas Brasileiras, As Tres Marias, Trois Danses Africaines, Ciclo Brasileiro, Rudepoema
"Precocious and full of wonderment, the Nonetto and Quatuor, written by Villa-Lobos in 1924 and 1921 respectively, are surely two of the unsung minor masterpieces of the early 20th Century. In its fusion of pagan rhythms and chanting with the brittle harmonies of the avant garde, Nonetto brings to mind Stravinsky's Les Noces and Prokofiev's Scythian Suite. Yet the piece is also characterised by a freewheeling playfulness more suggestive of jazz and folk music than the concert hall.This edition restores to print two historic performances of the Nonetto and Quatuor from 1941 and 1957 combining them with a set of exquisite Villa-Lobos guitar works performed by the great masters Andrés Segovia, Julian Bream and Laurindo Almeida."This is great, but it under-states the importance of the Nonetto. I'd characterize the Nonetto as an unsung major masterpiece of the early 20th Century. The jury is still out on the Quatuor, but this disc will provide some welcome exposure.
"Roger Wagner deserves all my admiration for his dedicated work...a notable achievement in technique and sound as well as perfect interpretation."
The Longwood Symphony Orchestra brings its unique blend of music and medicine from Boston for its first international "Healing Art of Music" tour, focusing on the care and treatment of patients with cancer. The concerts will raise funds for the new support centre at Barts for patients with cancer and for Marie Curie Cancer Care.
Marsalis Brasilianos is a celebration of the music of Heitor Villa-Lobos, featuring Branford Marsalis and members of the Philarmonia Brasilera (Gil Jardim, Conductor). This fascinating new project commemorates the 50th Anniversary of the revered Brazilian composers death.
Bringing together Grammy Award-winning saxophonist Branford Marsalis with a Brazilian orchestra known for it's remarkable work with Villa-Lobos' music, the program is uniquely suited to Marsalis' mastery of both jazz and classical music, allowing the language of Villa-Lovos' compositions to truly shine.