Showing posts with label Choros#7. Show all posts
Showing posts with label Choros#7. Show all posts

Tuesday, February 26, 2008

New Choros CD on BIS


I'm enjoying listening to the new BIS Choros CD , with pianist Cristina Ortiz, and John Neschling conducting the Sao Paulo Symphony Orchestra. This is the first disc in a projected BIS series of the complete Choros. Some people think that the series of 13 Choros (or 14 or 15 or 16) is Villa-Lobos's greatest group of works. I'm inclined to think so, myself.

This is my second post on this CD this month; today I wanted to take the opportunity to talk about the Naxos Music Library. People in Red Deer can access this excellent resource through Red Deer Public Library's subscription; check to see if your local public or academic library subscribes on your behalf. If not, you can always get a personal subscription; they're very affordable.

NML gives you access to more than Naxos and Marco Polo (as large as those two labels loom for Villa-Lobos lovers!) There are many, many independent labels on NML, like BIS (recently named the Label of the Year by Midem). It's great to be able to listen to this music even before the discs are available to buy. The new BIS disc hasn't showed up yet on the main BIS site, and isn't up on Amazon.com yet, though you can buy it at Presto Classical in the UK.

And Choros #11 is certainly worth listening to!

Speaking of pianist Cristina Ortiz, who also shines in this CD in the solo Choros #5 ("Alma Brasileira"), I've been checking out the Concert Diary on her website. She's certainly a busy pianist, and a great advocate of the music of Villa-Lobos.

She takes Bachianas Brasileiras #3 on a long, long road trip this spring, with stops in Ljiepaja Liepaja, Latvia for the 16th International Piano Stars Festival, in Riga, Talinn, Vilnius, Bergen and Palma, Spain.

Thursday, December 13, 2007

Experiencing Villa-Lobos Schedule

The schedule for the international Experiencing Villa-Lobos Conference in Richmond VA has been published on the conference website. Besides the paper presentations, which I'm sure will be fascinating, here are some highlights:

  • March 27, 2008, 8:00pm – Opening Concert featuring VCU faculty, alumni, and guest artists in Concert Hall (pianist Sonia Rubinsky will perform on this concert).
  • March 28, 2008, 9:30-11:00am – Sonia Rubinsky piano master class in Concert Hall.
  • March 28, 2008, 8:00pm – VCU Symphony Concert in Concert Hall featuring saxophonist Albert Regni.
  • March 29, 2008, 1:30pm – 3:00pm – String Master Class featuring members of Cuarteto Latinoamericano in Concert Hall.
  • March 29, 2008, 3:30pm – 5:00pm The Brazilian Guitar – from Villa-Lobos to the Present, featuring VCU faculty/alumni/students/guest artists in Concert Hall.
  • March 29, 2008, 8:00pm - Closing concert by Cuarteto Latinoamericano in Concert Hall.




The Villa-Lobos credentials of Sonia Rubinsky and the Cuarteto Latinoamericano are really solid - I've posted many times about both over the years. I wasn't familiar with the work of saxophonist Albert Regni, but learned lots more from this excellent Sons of Sound website. Nice to put a face to one of the people involved in the Twin Peaks music I love. Regni is Principal Saxophonist with the New York Philharmonic, Metropolitan Opera, and New York City Ballet Orchestras, and also Professor of Saxophone at The College of New Jersey.

Villa-Lobos wrote beautiful things for saxophone, and not just his 1948 Fantasia for soprano or tenor saxophone and chamber orchestra (which I assume Regni will perform with the VCU Orchestra in Richmond). There are also these important chamber works featuring the saxophone:

  • the Sextuor Mystique, for flute, oboe, saxophone, harp, celesta and guitar (1917/1955)
  • Choros #7 for flute, oboe, clarinet, saxophone, bassoon, violin, and cello, with tam-tam ad lib. (1924)
  • Choros #3 for clarinet, bassoon, saxophone, 3 horns, trombone, or for male chorus, or for both together (1925)
  • the Nonetto, scored for flute/piccolo, oboe, clarinet, saxophone, bassoon, celesta, harp, piano, percussion, and a mixed chorus (1923)
And you can find many, many amazing bits for saxophone in the orchestral works. One of my favourites is in the first suite from the Descobrimento do Brasil (1938).