Showing posts with label Egberto Gismonti. Show all posts
Showing posts with label Egberto Gismonti. Show all posts

Monday, October 17, 2016

54th Festival Villa-Lobos


Every November since 1961 the Museu Villa-Lobos celebrates the Festival Villa-Lobos. The 54th annual celebration takes place in Rio de Janeiro from November 4-15, 2016. There are a number of important celebrations taking place at this year's Festival. One is the 150th anniversary of the birth of the great composer Anacleto de Medeiros, who was born July 16, 1866. Also, this year Moacir Santos would have been 90 years old.


But the star of this year's show is Egberto Gismonti. He was born on December 5, 1947, and according to the Festival Villa-Lobos website, his 70th birthday celebrations begin with this year's Festival. Gismonti will perform at the opening concert on November 4th.

There are various versions of this improvisation by Gismonti on Bachianas Brasileiras no. 5. This one is elegant, elaborate and beautiful.



Follow the Festival Villa-Lobos twitter feed for the latest information.

Wednesday, September 30, 2009

Egberto Gismonti's Saudações


Egberto Gismonti's new album Saudações has been released by ECM in Europe, and will be available in North America later this month.  It's a double album, with the orchestral suite Sertões Veredas - Tributo à Miscigenação on one disc, and a duo-guitar recital with his son Alexandre on the other.

I've only heard clips from the suite, but this article by João Marcos Coelho finds very strong influences of Villa-Lobos and Bach in this music for strings (played on the disc by the Havana-based Camerata Romeu, directed by Zenaida Romeu).  The other strong influence seems to be the Cuban writer Alejo Carpentier, who was a close friend of Villa-Lobos and someone with a great understanding of music.

According to Coelho, "A primeira audição de Sertões Veredas provoca a estranha sensação de estarmos diante de uma obra do Villa-Lobos inédita e recém-descoberta." - he has the strange sensation of hearing a a newly-discovered unknown score of Villa-Lobos.

I look forward to hearing the entire album, listening for the influences of Villa and Bach.  More importantly, though, it will be great to hear the first orchestral music from a composer for whom I have the greatest respect.