Tracking usage at the Heitor Villa-Lobos Website

While I haven't had time yet to properly set this up, I have been tracking some usage at the Villa-Lobos Website (http://www.rdpl.org), using Sitemeter. Here are a couple of interesting graphs provided by this useful service; first is the Visitor Time Zone graph:

You'll see that people from around the world are visiting the site, with the largest numbers coming from the Central European, Brazilian and Eastern and Western North American Time Zones. The Organization Tracking graph adds detail:

Here you'll see Brazil, France, Belgium, the UK, Austria, Japan and Italy at the top of the country list (I expect most US and Canadian visitors come from the .net, .com and .edu domains).

These results show the widespread interest in Villa-Lobos - his appeal is international!

Andre Kostelanetz plays music of Villa-Lobos

In 1974 Columbia (CBS) records released an LP of music performed by the great master of light music, Andre Kostelanetz. All of the pieces were by Villa-Lobos, some in arrangements by Kostelanetz. The LP (M 32821, CBS 61564) shows up in many lists of favourite "easy-listening" classics on the Internet. The highlight for me is the Suite from Magdalena (Villa-Lobos's operetta/Broadway musical of 1948). For more information on the original work, see Ricardo Prado's excellent essay, in Lee Boyd's excellent translation.

Kostelanetz's version of the work points up the full-blown kitschy charm of Villa's music - this is definitely the master letting his hair down! Not profound music, but definitely fun. As Prado says, Villa-Lobos "re-fashioned" many of his favourite melodies - some famous and some lifted from obscure works of his past.

The Kostelanetz LP hasn't been reissued on CD (though I think it would sell well, judging by the recent mini-boom in Villa-Lobos recordings), so you'll need to search it out in libraries (the University of Alberta has a copy) or used-disc stores and websites. The only CD of the complete musical, which Prado praises highly, is hard to come by - I had an order in at amazon.com forever, and it was finally cancelled.



The Teatro Amazonas, a great opera house in the tropical rain-forest.

Your best bet for hearing this music: go to the VII FESTIVAL AMAZONAS DE ÓPERA at the great tropical opera house in Manaus. Magdalena will be performed on the 26th and 29th of April and the 1st of May, with Ligia Amadio conducting the Amazonas Filarmônica, the Coral do Amazonas, the Corpo de Dança do Amazonas and a Coral Infantil. A last minute trip to Brazil would be nice...

Thanks to Bert Berenschot for providing this amazingly entertaining music.

Villa-Lobos on Cultura FM - April 2003

It's a tradition at The Villa-Lobos Magazine for me to list interesting Villa-Lobos pieces coming up on Sao Paulo's Cultural FM. For the month of April I'm highlighting only one program - there are many other performances of works by Villa-Lobos, but most are easily available on CD. So here's the April listing - listen here on the Internet. Times are local Sao Paulo times, one hour ahead of EST.

On April 28 at 11:00 a.m., the rarely heard Ciranda das sete notas for bassoon and strings is performed by the great bassoonist Noel Devos, with the Orquestra de Câmara Brasileira conducted by Bernardo Bessler. The same program includes works by Brazilian composers of a new generation: Blauth (b. 1931), Nobre (b. 1939) and Lacerda (b.1927).

Speaking of Brenno Blauth, you can listen to a movement from his Concertino para oboe y cuerdas performed by Argentina's Camerata Bariloche, with oboist Andres Spiller. There are many other pieces by Latin American composers on the same page - check out this excellent site.

Villa-Lobos on Cultura FM - March

Here are radio programs of interest from Sao Paulo's Cutural FM for March - listen here on the Internet. Times are local Sao Paulo times, one hour ahead of EST.

At 11:00 on March 18, the Quatuor, 'Impressões da vida mundana' is performed by the Lontano Ensemble and the BBC Singers, under the direction of Odaline de la Martinez. This is from the 2002 Lorelt CD, which seems to be only available at the UK Amazon site.

At 11:00 on March 27, Eleazar de Carvalho conducts the Orquestra Sinfônica da Paraíba in Uirapurú.

At 15:00 on March 31st you can hear parts of a concert of music by Villa-Lobos and Hekel Tavares at the Theatro Municipal do Rio de Janeiro, with the Orquestra Sinfônica Petrobras Pró Música conducted by Roberto Tibiriça. The pianist is Arnaldo Cohen (piano).

Villa-Lobos in the Wikipedia

Wikipedia is a multilingual project to create a complete and accurate open content encyclopedia.

I've recently added a fairly comprehensive article on Villa-Lobos. I will be keeping an eye on the article, and hope to see readers of The Villa-Lobos Magazine and the Heitor Villa-Lobos Website make their own contributions to the main article or any related topics.

I hope that the Villa-Lobos community will be able to provide information on Villa-Lobos and Brazilian classical music to Wikipedia in other languges, especially Portuguese.

José Vieira Brandão

October, 2002 saw the death of an important figure in the life of Villa-Lobos and in the musical life of Brazil. Thanks to Martin Anderson for giving me permission to re-print his obituary of José Vieira Brandão. The article appeared first in The Independent on October 18, 2002. The picture is from the Museu Villa-Lobos (Brandão in on the far left).

José Vieira Brandão
Brazilian composer and pianist
18 October 2002

José Vieira Brandão, composer, pianist, conductor and teacher: born Cambuquira, Brazil 26 September 1911; married Eunice Costa Pereira (four sons, one daughter); died Rio de Janeiro 27 July 2002.
It's a tough life being a composer in a country where a single towering figure epitomises its music both at home and abroad. Even now, Finnish composers still feel Sibelius looming over them (indeed, the late Einar Englund called his 1996 autobiography I skuggan av Sibelius – "In the Shadow of Sibelius"). For Brazilian musicians it is Heitor Villa-Lobos who hogs the limelight. But for José Vieira Brandão Villa-Lobos' pre-eminence presented an opportunity rather than a threat, and he became one of his closest musical companions.

Brandão's musical ability was evident in childhood, and at eight he moved south from Minas Gerais to Rio de Janeiro to continue his musical education, first studying piano privately and then at the Instituto Nacional de Música, graduating with a gold medal in 1929; three years later he was awarded the diploma of the Conservatório Nacional de Canto Orfeônico, and choral conducting was to become the other mainstay of his life as a practising musician.

His ability as a pianist was impressive enough for the French pianist Marguerite Long, on a visit to Brazil, to ask him to come to France to study with her, and he accepted. But it was not to be, as he later explained in an interview:

At that time I had met Villa-Lobos, when he started to introduce his ideas in musical education into the public schools in Brazil. My trip to France was already scheduled but I decided to stay here and work in his project.

His collaboration with Villa-Lobos was an almost permanent feature of his early life. As a youth he spent his afternoons at Villa-Lobos' house, playing his mentor's music on the piano, and was to give the premieres of many of his piano compositions; later, in 1942, he was the piano soloist in the first performances of the Chôros No 11 in Rio and the Bachianas Brasileiras No 3 in New York, both conducted by the composer.

He became Villa-Lobos' assistant in 1932, helping him in his ambitious reform programme for music education in Brazilian schools, later pushing the project forward himself. In 1934 he founded the Madrigal Vox do Conservatório Brasileiro de Música and led the group until 1943; in parallel he held positions as an assistant professor of music and then professor of arts, becoming a professor at the Conservatório de Canto Orfeônico in 1943, and remaining there until 1967. He was president of the Conservatório Brasileiro de Música from 1940 until his last years, and one of the founders of the Academia Brasileira de Música in 1945.

Vieira Brandão began to compose at the age of 15, but his composition didn't really pick up speed until after 1940; by the time of his death his catalogue contained some 100 works, written in a national-Romantic style. His choral music, the technique sharpened by years of practical experience, buzzes with Brazilian rhythms and forms an important contribution to the Brazilian choral tradition. Nor did he neglect his own instrument, the piano, and the musicologist and Vieira Brandão scholar Maria Teresa Madeira singles out the 4 Études, the two Serestas (1942) and the Fantasia Concertante for piano and orchestra (1937-59).

Martin Anderson



Thanks, Martin, for that beautiful tribute. It's our opportunity to learn more about this key figure in the Villa-Lobos world.

As I write this, I'm listening to the Brazilian String Quartet play Brandão's Miniatura. This lovely piece is the only work I've heard from what looks to be a significant body of music. It's on an excellent disc I received late last year, on the Albany label from New York. Entitled "Brazilian String Quartet", it includes music by Villa-Lobos and two other composers of the generations after Villa: Radames Gnattali and Cesar Guerra Peixe, performed by one of the premiere chamber ensembles of Brazil. I'm afraid it won't be easy for most of us to hear more of the music of Brandão, though. Amazon.com lists only the piece for String Quartet.

There is an opportunity to hear one of Brandão's chamber works coming up - I happened to mention it yesterday in a post to The Villa-Lobos Magazine. At 11:00 São Paulo time (10 a.m. EST) on February 5th, you can hear his Divertimento for flute, oboe, clarinet, trumpet and bassoon on Cultura FM. Listen here on the Internet.

I'll be on the lookout for more of this music, from online vendors in Brazil and around the world. I'll report my findings here.

January on Cultura FM

Happy New Year!

Here are radio programs of interest from Sao Paulo's Cutural FM for January - listen here on the Internet. Times are local Sao Paulo times, one hour ahead of EST.

At 11:00 on January 7, Janos Starker performs the Fantasia for cello & orchestra. Eleazar de Carvalho conducts the Orquestra Sinfônica da Paraíba. This is from the excellent Brazilian Festival '88: A Brazilian Extravaganza CD on the Delos label, still available from Amazon.com.

The following day, again on the Cirandas program at 11:00, you can hear three relatively unfamiliar works from the great Choros series: the epic number 12, along with two witty chamber pieces: number 7 and 4.

At 12:00 on January 12th, the program Acervo Cultura presents "As notas são": "Da música brasileira. Série de 13 programas dedicados à composição erudita do Brasil. Em destaque: A CRIAÇÃO E A CRÍTICA (VILLA-LOBOS E FRANCISCO MIGNONE OS CRIADORES, CARLOS MAUL, E DOIS ANÔNIMOS OS CRÍTICOS). Idealização e apres.: Sérgio Vasconcellos Correa. Apoio de produção: João Antonio Batista. Produção: José Roberto Prazeres - 1990." I'll try listening to this, but I'm not sure if my extremely limited Portuguese will allow me to understand much.

At 11:00 on January 13, you can hear one of the best of Villa's Symphonies, his Sixth. This performance by Carl St. Clair and the Radio Symphony Orchestra of Stuttgart is also one of the best in the excellent cpo series of complete symphonies.

At 15:00 on January 27, the great String Trio is performed by the Ensemble Capriccio, from a 2001 Paulus CD. Also on the programme is a work by a composer I don't know, Amaral Vieira. His Quintet for piano and strings is op. 297, so there's a lot of Vieira out there to listen for in the future. The Villa-Lobos String Trio is repeated at 11:00 on January 30, along with a very interesting group of other works: New York Skyline for piano, the Dança do índio branco and Improviso em homenagem a Villa-Lobos by pianist João Carlos Assis.

Looking ahead to February, there's a short piece I'm looking forward to hearing. It's the Divertimento by the late José Vieira Brandão. Brandão, a close associate of Villa-Lobos and an excellent composer in his own right, performed many premieres of works by Villa-Lobos. He died in October of 2002. The Divertimento is performed by a chamber group of excellent Brazilian players: Andréa Ernest Dias (flute), Luiz Carlos Justi (oboe), José Botelho (clarinet), Philipp Doyle (trumpet) and Noel Devos (bassoon). Listen at 11:00 on February 5th.

On February 28 at 11:00, the rarely performed Introdução ao Choros for guitar and orchestra can be heard. This is from a highly recommended Ondine CD with the Finnish guitarist Timo Korhonen.

Good listening!

Villa-Lobos film in New York

This was quick: news from New York about an upcoming showing of Villa-Lobos: Uma Vida de Paixão, at the Leonard Nimoy Thalia, Symphony Space, 2537 Broadway. It's scheduled at 9 p.m., November 23, 2002 - check out the Symphony Space website for more information.

Villa-Lobos film in London

Distribution of the Zelito Vianna film Villa-Lobos: Uma Vida de Paixão has been slow outside of Brazil, where it was released in 2000, and a handful of Film Festivals since then (including Miami and Moscow). Londoners will have a chance to see the film on November 19th, at the Brazilian Embassy's Brazilian Contemporary Arts Cineclub, Room 101, Palingswick House, 241 King Street, London, W6 9LP.

I'm watching the web for any sign of the DVD being released in the rest of the world. I'd appreciate word from any readers of The Villa-Lobos Magazine about any video or DVD releases, or release in theatres outside of Brazil. Unfortunately, the official website from Mapafilm no longer seems to be available.

Those who have seen the film seem to rate it highly: the Internet Movie Database has 45 ratings, with an average of 8.4 out of 10.

[Picture: the movie poster from Mapa Filme - click here for a larger version - 128k]

The London Brazilian Embassy's website is excellent: there's lots of interest from the cultural side. Here's an upcoming concert I found out about from the site, which takes place on November 28, 2002 at Bolívar Hall, the Embassy of Venezuela, 54 Grafton Way, London W1T 5DJ. Nadia Myerscough, violin, and Clélia Iruzun, piano, will play the interesting early Villa-Lobos work, the Sonata-Fantasia No. 1, along with works by Albéniz, Ginastera, de Falla, Prokofiev, Bartok and Marlos Nobre. I've been listening to the works for piano and violin and piano trio recently, and find them absolutely charming. There's more information on the concert here, including this interesting tidbit: Ms. Iruzun will release a CD of Brazilian piano concertos on the Lorelt Label in early 2003.

November on Cultura FM

Here are radio programs of interest from Sao Paulo's Cutural FM - listen here on the Internet. Times are local Sao Paulo times, one hour ahead of EST.

The Quarteto Bessler-Reis has recorded the cycle of Villa-Lobos string quartets on the Kuarup label. You can hear the 12th and 13th at 10:00 on November 8. This is repeated on the 15th at 04:00. Quartets 14 and 17 are performed at 10:00 the 15th, and repeated at 04:00 on the 22nd. The same day at 10:00, the Bessler-Reis group play quartets 4 and 5 (repeated on the 29th at 04:00). On the 29th at 10:00, you can hear quartets 1 and 3.

Every weekday at 11:00, Cultura FM presents "Ciranda: Academia brasileira da música". On November 12, pianist João Carlos Assis Brasil performs New York Skyline and the Dança do índio branco, along with his own "Improviso em homenagem a Villa-Lobos." Later on the same program, the Ensemble Capriccio performs the amazing String Trio.

Benjamin Bunch's New Website

Guitarist Benjamin Bunch promotes his Etcetera CDs on this excellent website. The site includes an MP3 format file of the 2nd Prelude - one of Villa-Lobos' most popular pieces. We look forward to his upcoming disc An Homage to Heitor Villa-Lobos for soprano and guitar.

Note that though Bunch's discs aren't easy to find in North America, you can order them through the German and UK versions of Amazon.

Paul Creston and Villa-Lobos

The American composer Paul Creston lived from 1906 to 1985. The Paul Creston archives are available in the Special Collections Department of the Miller Nichols Library at the University of Missouri-Kansas City.

The picture above is included in the online version of the Paul Creston Collection. It's another picture that demonstrates how much Villa-Lobos got around in the musical world. Some day soon I'll compile a list of all the famous composers, instrumentalists and conductors that were photographed alongside Villa-Lobos.

Villa-Lobos on Radio France's France Musique

France has many connections with Villa-Lobos, from the composer's first visit in the 1920's, to the time he spent in the 1950's, recording with French EMI. France Musique, the classical music radio network of Radio France, can be heard live on the Internet. Here are some upcoming Villa-Lobos performances, all from European recordings that aren't all that easy to come by here in North America:

October 13, 04:46: Bachianas Brasileiras 6 with Norton Morozowicz, flute, and Noël Devos, bassoon. This is from the CD ADDA 590 901. This is repeated at 22:46 on October 15 and October 17 at 10:46.

October 19, 15:48: Tenor Marcel Quillévéré sings the three Cançoes Indigenas (Indigenous Songs) that Villa-Lobos wrote in 1926. He is accompanied by Noël Lee, on piano, in this excerpt from the OPUS 111 CD (OPS 30-65). This is repeated at 03:48 on October 20, 21:48 on October 22 and 09:48 on October 24.

October 22, 11:52: The Fantasie for saxophone, three horns and strings, with Detlef Bensmann, alto saxophone, and the RIAS-Sinfonietta de Berlin, under the direction of David Shallon. From the KOCH CD 311025. Repeated at 17:52 on October 23.

October on Cultura FM

Here are radio programs of interest from Sao Paulo's Cutural FM - listen here on the Internet. Times are local Sao Paulo times, one hour ahead of EDT.

October 1, 2 pm: Prof. Gilberto Tinetti discusses Felicja Blumental's performances of Bachianas Brasileiras no. 3 and Piano Concerto no. 5. This program is repeated at 3 am the following day.

October 2, 11 am: The Rio Cello Ensemble and pianist Wagner Tiso perform Mandu-çarará, which I haven't seen on CD.

October 7, 10 am: From the Brazilian label Funarte, the 1st Sonata-Fantaisie, with Oscar Borgerth, violin, and Ilara Gomes Grosso, piano. This is repeated at 4 a.m. on the 14th. Immediately following at 11:00 on the 7th, the Orquestra Petrobrás Pró-Música and conductor Armando Prazeres perform the 1st Sinfonietta, and Nelson Freire plays the amazing masterwork for the piano: Rudepoema.

October 13, 6 am: From a Brasilian CD on the Brascan Brasil SA label, Antonio Menezes, cello and Ricardo Castro, piano, perform the Pequena Suite. This is repeated at 11:00 on October 14.

October 21 is a day full of great piano performances: at 11 am Marcelo Bratke performs the first Prole de Bebe suite, and at 8:05, Caio Pagano performs Carnaval das crianças and the 1st, 3rd, 4th and 5th collections from the Guia prático (none of which are easily available on CD). The latter program is repeated at 9 am on the 26th.

October 24, 11 am: a Brazilian ensemble plays the Fantasia concertante for piano, clarinet and bassoon, and the great classical/popular instrumentalist Paulo Moura performs the Fantasia for Saxophone and Orchestra, with the Orquestra de Câmara Brasileira, conducted by Bernardo Bessler.

Villa-Lobos Concerts & CDs Analyzed

I've been tracking performances of Villa-Lobos works at concerts and recitals from around the world since January 1997, in the Upcoming Villa-Lobos Concerts page of the Villa-Lobos Website. I've recently put together a list of the works played at those concerts. As well, I've looked at the 445 CDs containing works by Villa-Lobos that are currently available at Amazon.com. I'll be posting a spreadsheet with this information on the Website - it's here - and I'll keep it updated as I receive new information.

In the meantime, here are some interesting results. The most commonly performed works:

Bachianas Brasileiras #5 (48)
Harmonica Concerto (20)
Unspecified Pieces for Guitar (20)
Assobio a Jato (19)
Bachianas Brasileiras #2 (17)
Bachianas Brasileiras #1 (12)
Guitar Etudes (12)
Bachianas Brasileiras #6 (8)
Bachianas Brasileiras #9 (8)
Bachianas Brasileiras #4 (7)
Guitar Preludes (7)
Saxophone Fantasia (7)

No real surprises here. The Bachianas Brasileiras series looms large in terms of the popular view of Villa-Lobos. BB#5 is one of the standards of the orchestral repertoire, and in its version for soprano and guitar for that of chamber music. Robert Bonfiglio has nearly single-handedly brought a high level of popularity to the Harmonica Concerto. The works for guitar are probably under-reported by a factor of at least three, since many concert notices do not refer to particular works.

Many of these pieces show up at the top of the CD list as well:

Bachianas Brasileiras #5 (98)
Guitar Preludes (70)
Guitar Etudes (57)
Choros 1 (33)
Suite Popular Bresilienne (32)
Bachianas Brasileiras #2 (22)
Guitar Concerto (22)
Bachianas Brasileiras #4 (20)
Choros #5 (16)
Bachianas Brasileiras #1 (14)
Song Recitals (14)
Ciclo Brasiliera (13)
Prole de Bebe #1 (13)

The guitar music is well represented on CD, with every one of the works Villa-Lobos wrote for the instrument (with the exception of the Introduction to Choros, which has unaccountably received only a single recording) in the top ten most popular works. The best works for piano are well represented as well. It's nice to see a work from the Choros series - Choros #5, subtitled Alma Brasileira - getting as many recordings as some of the Bachianas Brasileiras series.

At the other end, there are a few great works that received no performances (as reported on my page - my collection of this information is very hit and miss). These include most of the Symphonies; four of the Piano Concertos; Choros 8, 9 and 12; and the String Trio. Luckily, the list of works with no recordings in the Amazon.com list (nearly all of which are available throughout the world) is really quite short:

Cello Sonata 1
Choros 4
Choros 6
Daughter of the Clouds
Duas Lendas Amerindias
Fantasia de Movementos Mixtos
Nonetto
Sinfonietta #1
Symphony 2
Symphony 3
Symphony 7
Symphony 9
Vidapura
Yerma

From this short list, we'll soon be able to remove the 3rd and 9th Symphonies, coming soon from cpo. Symphonies 2 and 7 will presumably follow, from the same source, within a year. After that, we badly need recordings of the 6th Choros, the Fantasia de Movementos Mixtos and the Nonetto. As for the other hole in the Choros series, number 4, that's available in the indispensable CD Os Choros de Câmara from the Brazilian company Kuarup. I ordered this CD, and others, from Kuarup's website. Kuarup's CDs are very inexpensive, and the discs arrived amazingly quickly.

I think that, overall, the works of Villa-Lobos are fairly well represented both discographically, and on the concert stages of the world. The complete cycles of string quartets recently performed at the Kuhno Festival in Finland and by the Cuartetto Latinoamericano brought many hidden gems to the surface. Naxos is especially to be commended for their well-played, well-recorded budget CDs. I'm sure, though, that there are many works that I've left out in my list that need performances and recordings. Why not tell me what you think?

More New CDs

Another cpo new release contains a well-chosen concert of VL's chamber music for strings. The Deutsches Streichtrio performs three duos: the Deux Choros Bis (1929) for violin and cello, a version of the 1921 Choros #2 for violin and cello, and the 1946 Duo for violin and viola. Best of all they've included one of VL's masterworks, the String Trio written in 1945. A disc with this repertoire is pretty much self-recommending, and Bert's thumb's up clinches the deal for me.

It's a good time for new Villa-Lobos from Europe. Bert also likes the new Lorelt disc with the BBC Singers and the Ensemble Lontano, under the direction of Odaline de la Martinez. This disc also includes the Deux Choros Bis, with the addition of some other chamber works: Choros 7 (1924) and the early modernist masterpieces the Quatour Symbolique and the Sexteto Mistico. Best of all, there's the original version of Bachianas Brasileiras #9, for an "orchestra of voices." This is apparently a re-issue of a disc recorded in the early 1990's.

It's like the people at cpo and Lorelt were listening to my wish-lists. Now, if they'd turn to the Nonetto and the operas Yerma (1955) and Daughter of the Clouds (1957)....

New Symphonies CD

"A new Symphony by Heitor Villa-Lobos is a world event."

- from a review in the Christian Science Monitor of the premiere of the 11th Symphony (quoted in Vasco Mariz's Heitor Villa-Lobos: Life & Work of the Brazilian Composer (1970).

Though it hasn't shown up at Amazon.com (or the other Amazon sites around the world), the new cpo CD of Symphonies 3 & 9 conducted by Carl St. Clair can be purchased from the European site JPC. Thanks to Bert Berenschot in the Netherlands for this update. Check here for all the information, including sound samples. I haven't ordered from JPC myself, but the CD is certainly a good buy at US$11.96 (13.99 Euros). As Mariz says, "The Ninth Symphony seems to have been composed in 1951 but has never been performed, and I have no data on it." So this release is certainly of world-wide interest to music lovers.

The early 3rd Symphony makes up the bulk of the rest of the disc, which has a nice filler in the "Ouverture de l'Homme Tel." I've often seen this work in lists of Max Eschig publications, and wondered what it sounded like. The short Real Audio excerpt on the JPC site includes only a fanfare, but you can tell from the clips that the orchestral playing from St. Clair's Stuttgart forces remains of the highest quality. I'm certainly looking forward to this one!

September VL Listening on Cultura FM

Here are some radio programs you might want to watch out for on Sao Paulo's Cutural FM - listen here on the Internet. Times are local Sao Paulo times, one hour ahead of EDT.

Sept. 7, 1 p.m.: Marlos Nobre's Homenagem a Villa-Lobos is played by guitarist Joaquim Freire. This is from a Leman Classics CD.

Sept. 17, 11 a.m.: The 3rd Piano Trio is played by the Brazilian players Yara Bernette, piano, Ayrton Pinto, violin and Antonio del Claro, cello. On the same program, pianist Arnaldo Estrela plays the Poema singelo. I presume these are both from Brazilian CDs.

Sept. 18, 11 a.m.: The great bassoonist Noel Devos (who was born in France, but who has lived in Brazil since 1952) performs the Ciranda das sete notas for bassoon and strings with the Orquestra de Câmara Brasileira under the direction of Bernardo Bessler.

Sept. 23, 11 a.m.: Pianist Nahim Marun and violinist Claudio Cruz perform the Sonata Fantasia n° 2.

New World Symphony Music of the Americas Festival

The New World Symphony, based in Miami Florida, bills itself as "America's Orchestral Academy." The NWS "trains the most gifted graduates of distinguished music programs for leadership positions in orchestras and ensembles around the world."

The New World Symphony is best known to Villa-Lobos lovers, of course, through their very successful 1997 CD Alma Brasileira, with NWS Artistic Director Michael Tilson Thomas. My review of that CD is here. I still enjoy this CD very much - especially Choros no. 10, which does credit to the capabilities of the orchestra and its conductor, to the producers and engineers at BMG for its amazing sound, and of course to Villa-Lobos - it's an amazing work!

In mid-September, the New World Symphony is presenting a free four-concert festival of North and Latin American works entitled "Music of the Americas." Two Villa-Lobos works will be included. The modernist Quintet em Forme de Choros, written in Paris in 1928, will be performed on September 13, in a Woodwind, Brass and Wind Ensembles Concert conducted by David Amado.

The following night, September 14, conductor Gisele Ben-Dor, best known in the VL world for her very well-reviewed recording of VL's Symphony no. 10 "Amerindia", will conduct the Bachianas Brasileiras no. 9.

Besides these two VL works, the four concerts include masterworks by Revueltas and Ginastera, and a really nice mix of works by such composers as VL's close friend Edgard Varèse, Samuel Barber, Michael Tilson Thomas and Joan Tower. Sounds like a really interesting festival, and the price is certainly right!

The Villa-Lobos Letters in Paperback

Martin Anderson at Toccata Press has let me know that Lisa Peppercorn's book The Villa-Lobos Letters is now available in paperback.

Complete information is available at the Toccata Press site. You can order the hardcover and paperback Letters from Amazon.co.uk, though only the hardcover version is listed at Amazon.com.

This really is an interesting book, containing valuable insights into Villa-Lobos's life at important times of his life. Peppercorn was for many years the main source of information about Villa-Lobos in English. Now that we have new sources of biographical information we can take Peppercorn's biases into account - notably her championship of VL's first wife Lucília over his eventual life-partner Arminda. Still, Peppercorn's intimate knowledge of VL's life - especially in the 1930's - and her access to source documents makes this volume an absolute must for those of us interested in this extraordinary, and very human, composer.