Verde Velhice

Here's something you don't come across every day: an orchestral work by Villa-Lobos that hasn't been performed since the 1920s.



Verde Velhice is short piece written in 1922, called 'Divertimento' in the unpublished score (held by the Museu Villa-Lobos). This performance at the 2014 Festival Villa-Lobos is by the Orquestra Sinfônica da UFRJ conducted by Marcelo Ramos. This music was last heard when the composer presented it in Sao Paulo in 1926.

Here is more information on the piece, from Villa-Lobos: Sua Obra, 1.0 (2009):

VERDE VELHICE (1922, SP)
Adagio
Muito Lento
2fl, 2ob, 2cl(Bb), cl baixo, 2fg, 4cor, 2trp, 3trb, tuba, tímp, tam-tam, hp, pf e cordas
AUTÓGRAFO (MVL): 34 x 27 - 10 p.
DURAÇÃO: 8‟
PUBLICAÇÕES: não publicada
COPYRIGHT: © 1922 by HVL
EXECUÇÕES: 1a 1926, São Paulo. Heitor Villa-Lobos, regente
OBSERVAÇÕES: • Com a indicação: "Divertimento"; • dedicada ao Conselheiro Antonio Prado.

5th Piano Concerto

The 5th Piano Concerto is still not programmed very often. Here's an exceptional recent performance, though, from pianist Fabio Martino and OSESP under Celso Antunes (September 2014). This may not be profound music, but it sounds completely Villa-Lobosian to me. OSESP is nailing obscure Villa-Lobos lately, with this plus their new Symphony series on Naxos. The newly edited scores are probably a factor, since so many Villa-Lobos scores have been plagued with many many inaccuracies. But I'm completely convinced by Martino, OSESP and Antunes (plus Karabtchevsky in the Symphonies); this music is in their blood.

Camerata Atlântica play Bachianas Brasileiras no. 9

Usually when string players are arranged on a stage in a semi-circle to play Villa-Lobos, it's for Bachianas Brasileiras #1 for 8 cellos, or #5 for cellos and soprano. Here are string players of the Camerata Atlântica playing the 9th Bachianas, two to a part with one double bass, and they sound great.

The latest CD in the Villa-Lobos Symphony series: no. 10

The new CD in the Naxos Villa-Lobos Symphonies series with OSESP under Isaac Karabtchevsky is finally here, and it should be a doozy.

The 10th Symphony is the biggest in the series, complete with some good bits as well as some of Villa's less fortunate tendencies. This will be a test of Karabtchevsky's vision and his control over the very good musicians of the Sao Paulo Symphony and Choir, and the two important male singers. We'll also see the results of the new edition of the work, prepared by an editorial team which includes Isaac Karabtchevsky, published by Criadores do Brasil. Maybe this clean-up of the notoriously sloppy scores will result in a tighter, more lucid whole that might bring to mind something more like Beethoven's Ninth or one of Mahler's Symphonies, and less like a pastiche from a Hollywood B-movie. Pre-order now at Amazon.

New Guitar concerto CD

When Villa-Lobos added a cadenza to the Fantasia Concerto he wrote for Segovia, he changed the name to Concerto for Guitar and Small Orchestra. The orchestral writing is 'thinly scored' to allow an un-amplified guitar to be heard, but Mme. Segovia still insisted that she couldn't hear her husband during the rehearsals for the premiere. Villa-Lobos conducted, going from p to pp to ppp, I'm sure with his mouth firmly closed all the time.

This picture, from the Museu Villa-Lobos, is included in the excellent liner notes to the equally excellent new Stein-Erik Olsen CD Havana Rio Moscow, with the Academy of St. Martin in the Fields conducted by Terje Mikkelsen. Incidentally, the album just showed up today at The Naxos Music Library.

O Piano e a Criança

 

I came across this in Google Books: a 2011 publication by Irmãos Vitale. The pieces included, all written for children, are:

• Brinquedo de roda
• Petizada
• Primeira suíte infantil
• Segunda suíte infantil
• Histórias da carochinha
• Cirandinhas  

There's more information on the publisher's site.

Rio Paris: Brazilian songs with a French connection

I've finally had a chance to listen to the Erato CD Rio Paris, a project by guitarist Liat Cohen, with the involvement of three special singers: Natalie Dessay, Agnes Jaoui and Helena Noguerra. Seven of the 17 tracks are by Villa-Lobos, but I also really enjoyed Cohen's choice by more recent composers, beginning with my favourite Tom Jobim song, Waters of March.

The centre-piece of the disc is the Aria of Bachianas Brasileiras #5, presented in Villa-Lobos's own arrangement for guitar and voice, and performed by Liat Cohen and Natalie Dessay. Two little-known early songs by Villa-Lobos with Cohen and Dessay are also included: Les Meres, op.45, and L'oiseau besse d'une fleche, op. 10 (most VL pieces with opus numbers are from the beginning of his career: these are from 1913 and 1914).

There are plenty of other delights included.  I especially appreciated three spare arrangements for guitar and voice by Rafi Kadishson:

• Agua e vinho by Egberto Gismondi, sung by Helena Noguerra
• the Baden Powell/Vinicius de Moraes Samba em preludio, sung by Agnes Jaoui and Helena Noguerra
• the Jobim standard Desafinado sung by Helena Noguerra

The liner notes by Villa-Lobos scholar Rémi Jacobs show the serious side of the project, but you can tell from Liat Cohen's notes, the pictures included in the booklet, and the music itself, everyone involved seems to have had a lot of fun.

Irina Kulikova plays Guitar Music by Russian Composers

 

Guitarist Irina Kulikova's excellent new CD of guitar music by Russian composers includes a piece by Konstantin Vassiliev entitled Mogiana in memoriam Heitor Villa-Lobos.  Named for the Mogiana district of Sao Paulo State, this piece is Villa-Lobosian, but it also has a strong Tom Jobim vibe. The entire disc is highly recommended, for excellent playing as well as the usual strong production and engineering provided by Bonnie and Norbert Kraft. Like so many great Naxos guitar discs, this was recorded at St. John Chrysostom Church in Newmarket Ontario.

Villa-Lobos A New Way

Villa-Lobos A New Way is a project begun by pianist, composer & arranger Alberto Conde and poet, playwright, novelist & musicologist JR Bustamante. The musicians in Conde's version of Choros #10 are:

• Alberto Conde, piano 
• Carmen Durán, soprano 
• Nirankar Khalsa, percussion 
• Kin Garcia, bass 
• Miguel Cabana, drums

Petizada for Symphonic Band

Petizada is a piano suite written in 1912, based on traditional children's songs. It has six movements:

• A mão direita tem uma roseira (The right hand holds a rosebush)
• Assim ninava mamã (Mummy’s Lullaby)
• A pobrezinha sertaneja (The Poor Girl from the Hinterlands)
• Vestidinho branco (Little White Dress)
• Saci
• A História da caipirinha (The Story of the Little Peasant Girl)

Here is the suite in an adaptation for symphonic band by João Victor Bota, played by the Festival Orchestra of the Encerramento do VIII Curso de Férias, Coreto Paulista 2014.

An unpublished Villa-Lobos letter

From the Brazilian site "Glorias: Documentos Raros" comes this punning letter from Villa-Lobos to his friend and pupil "Didi", from 1956.

 

Is it possible?

Di, in place of Do.

Do, in place of Di.

H. Villa-Lobos

 

[from Google Translate:]

Didi,
For those who are willing to follow difficult but glorious work like that you learn and practice at your house but again we can say, since this work is have the purest and most beautiful of all philosophies. But never be repeated too often, as I do now, citing this small piece of the Proverbs of Solomon: "Guard your heart more than all things, for it come the fruits of life."
08.01.46, Pará

Choros no. 7

Andre Bachur conducts the OCAM Ensemble in the 7th Choros.

RIP Lorin Maazel

In this video clip the late Maestro Lorin Maazel conducts the World Philharmonic Orchestra is the last part of Villa-Lobos's Choros no. 6. As far as I know this is Maazel's only recording of Villa-Lobos.


This performance is available on a CD that also includes the Firebird Suite and Berlioz's Carnaval Overture.

Guitar Concerto from Philly

Pablo Sainz Villegas plays the Villa-Lobos Guitar Concerto, with the Chamber Orchestra of Philadelphia, conducted by James Judd. This concert is from November 2013.

OSESP a Prêmio da Música Brasileira winner

The 25th Annual Prêmio da Música Brasileira (Brazilian Music Awards) were held recently in Rio de Janeiro's Theatro Municipal. Winner of the Classical Album award was the Sao Paulo Symphony Orchestra (OSESP), for their Naxos disc of the Villa-Lobos Symphonies no. 6 & 7.  Excellent choice!

World Cup

"Villa-Lobos found that his concerts were often poorly attended because of the public's preference for soccer, this led him to denounce the sport violently. One of his phrases became famous: 'Soccer causes human intelligence to detour from the head to the feet!' The Brazilian soccer fans responded vigorously to the challenge. In one town they bombarded the touring musicians with rotten eggs, and the threat of similar treatment caused the group to leave another town in the early morning hours."

David E. Vassberg, "Villa-Lobos as Pedagogue: Music in the Service of the State," Journal of Research in Music Education, Vol. 23, No. 3 (Autumn, 1975), p. 165

No matter what Villa-Lobos thought about the game, I'm cheering big for A Seleçao!

New CD from Julien Labro & the Spektral Quartet

The new Azica CD From This Point Forward featuring the Spektral Quartet and accordionist Julien Labro will be released on June 24. The repertoire includes Labro's arrangement of Villa-Lobos's Sentimental Melody and Veleiros (from Forest of the Amazon), along with pieces by Piazzolla, Barrios, Pascoal, Saluzzi, Zenon, Schissi, Otero and Grenet. Labro and the Quartet were featured on the NPR station WBEZ's Morning Shift, which you can listen to here. They play Sentimental Melody at 11:35.

Dario Müller's new Magic Boxes CD

 

Pianist Dario Müller's new Dynamic CD Magic Boxes includes Villa-Lobos's Caixinha de musica quebrada, the Broken Little Music Box.

Momoprecoce, from the 2012 Proms

Nelson Freire plays piano, and Marin Alsop conducts OSESP, in this video from an August 2012 Proms concert. Momoprecoce is a fun pastiche that Villa-Lobos put together from his Carnaval das crianças for solo piano.

RNZ Composer of the Week

 

A superb radio program from Radio New Zealand: Thomas Goss presents Villa-Lobos's music in the context of the birth of Brazilian modernism. Villa's masterpieces of the 1920s are illuminated by Mario de Andrade's amazing poetry.  This can be streamed on demand, but hurry up and listen; I'm not sure how long it will be available.