Friday, April 9, 2010

Villa-Lobos gets the Congressional Seal of Approval

Here's an interesting story from Brasília. The Brazilian Congress has approved the first steps to adding Villa-Lobos to the Livro dos Heróis da Pátria - the Book of Heroes of the Fatherland.  Representative Dr. Talma presented the motion, which I gather will be debated, and will then go to the Senate once it is approved.

Here is what the article says about the Book of Heroes (via Google Translate):
The Book of Heroes of the Fatherland is a memorial in the pages of steel with the name of Brazilians who, in life, "contributed to the greatness, pride and glory" of Brazil. It is located in the Pantheon of the Fatherland, monument to freedom and democracy, located in the Plaza of Three Powers in Brasília. Tiradentes, Zumbi dos Palmares, Placido de Castro, Santos-Dumont are some of the names inscribed in the Book of Heroes.
One of the pleasurable side-effects of my Villa-Lobos researches is that I'm learning more about Brazilian history and culture. I knew a little about Alberto Santos-Dumont, who made the world's first public flight in an airplane, on October 23, 1906.  This is a very engaging individual.  Though admittedly from a wealthy family, it says a lot about Santos-Dumont that he donated half of a big prize he won in an early dirigible contest to the poor of Paris, and distributed the rest to his mechanics.  It's sad that he ended up killing himself, depressed by his multiple sclerosis and by the use of airplanes to kill thousands in wars.

Zumbi dos Palmares, the "black leader of all the nations", is a fascinating figure from the second half of the 17th century.  From the stronghold of  Quilombo dos Palmares, a republic the size of Portugal near Bahia, Zumbi led a spirited resistance against the Portuguese government.  His warriors were skilled in capoeira, Brazil's home-grown martial art.  Zumbi was eventually captured and beheaded, though his martyrdom was the inspiration for many future struggles.

Joaquim José da Silva Xavier, known as Tiradentes, was a revolutionary from the same generation as the American Founding Fathers and the French Revolutionaries. From what I've read in the Wikipedia article, he seems somewhat like the Canadian Louis Riel; both were hanged by their governments, and the names of both have lived on as heroes.

Finally, José Plácido de Castro led the successful resistance of Acre against Bolivia in the late 1800s.  He became President and Father of his Country in 1900, when he was only 27 years old, and Governor of the State when it was annexed to Brazil three years later.  He was only 35 years old when he was ambushed and assassinated by rivals.  Though Plácido de Castro doesn't have his own article in the English Wikipedia, a life like this really deserves one - here is the Portuguese entry.

Here is the Panteão da Pátria (Pantheon of the Fatherland) Tancredo Neves, in the Praça dos Três Poderes (Plaza of Three Powers) in Brasília - home of the Book of Heroes, from the Wikimedia Commons:



This is pretty impressive company, even for a larger-than-life figure like Heitor Villa-Lobos!

Thursday, April 1, 2010

The Lost 6th Prelude Found? [Nope]

What do you think? If a man owns a hundred sheep, and one of them wanders away, will he not leave the ninety-nine on the hills and go to look for the one that wandered off? And if he finds it, I tell you the truth, he is happier about that one sheep than about the ninety-nine that did not wander off. - Matthew 18:12-13
I was excited to read this tweet from Brazilian guitarist Alvaro Henrique today:
@alvaroguitar http://brazilianguitar.net/index.php?showtopic=3453 Achado o 6o Prelúdio para Violão de Heitor Villa-Lobos!
Alvaro links to this post at the forum Brazilianguitar.net:

http://brazilianguitar.net/index.php?showtopic=3453

Is it really true that the missing 6th Prelude of Villa-Lobos has been found?  This being April Fool's Day, I was immediately suspicious that this most important Villa-Lobos find ever might be a joke. As I said in a message to Alvaro, it sounds too good to be true. Here, thanks to Google Translate, is the gist of the story.

The Brazilian rock musician Dado Villa-Lobos and his brother Luis Octavio Villa-Lobos, grand-nephews of the composer, were looking through some papers of their father, the diplomat Jayme Villa-Lobos. There they found the score to the missing Sixth Prelude (left behind in Paris when Villa-Lobos & Mindinha returned to Brazil), as well as other works for guitar, including a complete version of Valsa de Concerto no 2. Also found were sketches for a symphony Villa-Lobos had planned in honour of Brasilia. Unfortunately, the composer died before the symphony (and the city) could be completed.

According to Alvaro's post the found Prelude will be played by guitarist Marcus Moraes at the next meeting of Associação Brasiliense de Violão (BRAVIO), on April 10th.

Boy, it's hard enough for me to keep from getting tricked in my own language.  If I have to get to Google Translate to help, I may be in trouble!  I will keep you all posted!

April 5: Well, yeah, it was a joke.  Alvaro tweeted this:
@alvaroguitar @villa_lobos Vill Unfortunately it is a April Fool's Day joke... Too good to be true! 
Of course, it seems obvious now.  The Villa-Lobos in-laws who are likely to have lost scores would be Guimares, the families of the brothers of Villa's first wife Lucilia.  Good joke!

Monday, March 29, 2010

Yerma in Manaus



It looks like the production of Yerma at the Teatro Amazonas is a go for next month.  Here is the cast and production staff for the show, from the Amazonas Festival website.  This is a really big deal - a rarely performed Villa-Lobos opera in the great Opera House in the Amazon rain-forest.


23.Abr (Sex) - 20h - Teatro Amazonas
25.Abr (Dom) - 19h - Teatro Amazonas
30.Abr (Sex) - 20h - Teatro Amazonas
YERMA
Heitor Villa-Lobos (1887-1959)
Ópera em três atos
Libreto do compositor, baseado na obra de Federico Garcia Lorca
Yerma – Ana Lucrecia Garcia
Juan – Marcello Puente
Maria –Isabelle Sabrié
Victor – Homero Velho
1ª velha – Keila de Moraes
2ª velha – Elaine Martorano
3ª velha – Elmiza Carvalho
4ª velha – Regina Santiago
5ª velha – Lincoln Pires
6ª velha – Kelly Fernandes
1ª moça – Patrícia Botelho
2ª moça – Carol Martins
1ª lavadeira - Jaiana Silva
2ª lavadeira - Lídia Mendes
3ª lavadeira – Carolina Herculano
4ª lavadeira - Thalita Azevedo
5ª lavadeira - Dhijana Nobre
6ª lavadeira - Thelvana Freitas
1ª cunhada – Miriam Abad
2ª cunhada – Raquel Brasil
Dolores – Elaine Martorano
1ª mulher – Tamar Freitas
2ª mulher – Marinete Negrão
1º homem – Cristiano Silva
2º homem – Eli Soares
Macho – Randal Oliveira
Fêmea – Priscilla Pinheiro
Menino – Marlon de Souza Pereira
Menina – Marília Rodrigues Pinheiro
Voz feminina interna – Elane Monteiro
Companhia de Dança do Amazonas
Coral Infantil do Liceu de Artes e Ofícios Claudio Santoro
Coral do Amazonas
Amazonas Filarmônica
Direção Musical e Regência: Marcelo de Jesus
Direção Cênica e Figurinos: Allex Aguilera
Coreografia: Monique Andrade
Iluminação: Moisés Vasconcelos

Thanks to Richard, who posted this information on a comment to my story about Yerma in Brazil.

Sunday, March 28, 2010

Digital Cabernet Challenge



An interesting and illuminating experiment at the Proper Discord site: can you tell the difference between compressed and CD-quality music? I couldn't (and admitted so in the poll).

Here's another poll: try this digital Cabernet Sauvignon test.
  1. Play your favourite Villa-Lobos CD or MP3 file (I chose John Neschling's version of Choros #08).
  2. Open a good bottle of Cabernet Sauvignon (for me, it was a 2006 Penfolds Bin 407).
  3. Click on the video above.
So, which wine is better?  Can you really tell the difference?  Let me know!

P.S.  Note to Casa Valduga's advertising agency: next time, use Bachianas Brasileiras no. 5 as the background music in preference to Vivaldi.

Friday, March 26, 2010

Clara Rodriguez at Wigmore Hall



The Venezuelan pianist Clara Rodriguez will be playing three Villa-Lobos works in her Wigmore Hall concert on April 12, 2010.  Check out her website - you'll find a nice version of Poema Singelo, from a live performance in London.

Wednesday, March 24, 2010

Trío Cordvent's "Homenaje a Villa-Lobos"

Jesús Saiz Huedo from Trío Cordvent sent me an update on their concert "Homenaje a Villa-Lobos," which took place in Madrid last December. You can watch videos of many of the works from that concert at The Trío Cordvent website.

Here is Recordando a Villa-lobos by Félix Sierra; a lovely work:

Cristina Ortiz plays Bachianas Brasileiras no3



The two greatest Villa-Lobos works for piano and orchestra aren't included in the five Piano Concertos. They are Choros #11 and Bachianas #3; both are among Villa's top works. Each of these fairly rare pieces calls for a virtuoso pianist, a large, well-prepared orchestra, and a conductor who can provide a sense of forward momentum to the sprawling scores.

Here is Cristina Ortiz playing BB#3, with Fábio Mechetti conducting the Orquestra Filarmônica de Minas Gerais in a concert from August of 2009. The second, third, and fourth movements are also at YouTube, thanks to the MinasMusical Channel.

Monday, March 22, 2010

The Burial of Villa-Lobos

From TV Tupi, film footage of the scene in the square in front of the Theatro Municipal in Rio de Janeiro on November 19, 1959, two days after Villa-Lobos died. I find these scenes very moving.

Monday, March 15, 2010

The Music Wins

Recently I've been following two really interesting stories about Brazilian pianists.  Last month I blogged about Marcelo Bratke, who overcame near-blindness on his way to becoming a world-renowned concert pianist.  I look forward to the publication of Bratke's new recording of the complete Villa-Lobos piano music.

Another story, in O Globo's Gazeta on-line, is a feature on the great pianist and conductor João Carlos Martins. The article by Erik Oakes tells the really fascinating stories of the incredible physical disabilities Martins has overcome: nerve damage and repetitive strain injuries to both hands, combined with the effects of a nasty mugging in Bulgaria.  Last October Martins appeared with jazz great Dave Brubeck at Lincoln Centre, and he'll be conducting the Orquestra Camerata Sesi on March 16 in Espírito Santo.  That concert includes Bachianas Brasileiras no. 4.

One of the coolest things in Oakes' story is that the Sao Paulo Samba School Vai-Vai will be including the story of Martins in their 2011 Carnival presentation.  The title will be A Música Venceu - The Music Wins.

Recently I've been enjoying the music of João Carlos Martins on The Naxos Music Library.  Martins recorded the complete keyboard music of Bach on the Labor label, and you can listen to all of them at NML.  I especially enjoy his concertos discs, and especially Brandenburg Concerto no. 5: LAB7042.

Sunday, March 7, 2010

Choros no. 6



From the 30th Annual Festival de Inverno de Campos do Jordão in July 1999, Roberto Tibiriçá conducts the Festival Orchestra in Choros no 6, one of Villa's greatest works.   Part 2 is here, and part 3 is here.

Saturday, March 6, 2010

David Soyer

I've read quite a few tributes to cellist David Soyer of the Guarneri Quartet, who died on February 25 at the age of 87.  His music has given me so much pleasure over the years, and in the last week I've enjoyed listening to a variety of CDs that I've acquired over the years that this great musician played on.

I was surprised to read in Anne Midgette's article in the Washington Post about some of Soyer's freelance work:
He supplemented his solo appearances with stints ranging from playing in the NBC Symphony under Arturo Toscanini to performing in the studio band on the first-ever "Ed Sullivan Show." He played with pianist-singer Nat "King" Cole, backed jazz singer Billie Holliday on her final major album and soloed on folk singer Joan Baez's 1964 recording of Heitor Villa-Lobos's "Bachianas Brasileiras No. 5 -- Aria."
The Joan Baez BB#5 has been a favourite of my readers at the HVL Website and The Villa-Lobos Magazine over the years.  The cello soloist in this piece doesn't always necessarily get credited on CDs or in concert programs, but listening to this piece again David Soyer's playing is really a standout.  Now I'm off to check out the Billie Holiday and Nat Cole discs!

Monday, March 1, 2010

Villa-Lobos on Cultura FM: March 2010

Every month I post highlights from the upcoming schedule of Cultura FM from Sao Paulo. Since you can listen live to this station on the Internet, it's a great way to hear Brazilian classical music.

March 1:
23:00 NOTURNO:
Wolfgang Amadeus MOZART – Quinteto em sol menor  KV 516. Quarteto Melos e Franz Beyer (viola). / Maurice RAVEL – Conversas da Bela com a Fera. London Brass. / VILLA-LOBOS - Berceuse - Barcarolla do Trio no. 2. Aulustrio. / KURTAG - Canto Gregoriano: De Adão a Abraão. György Kurtag (órgão). Schola Hungarica. Reg.: Janka Szendrei.

more

Tuesday, February 23, 2010

Mid Europe International Wind Music Festival



The Banda Sinfônica de Cubatão has been invited to Austria this summer, for the 2010 Mid Europe International Wind Music Festival.  This is cool, because it will be a chance to bring Brazilian symphonic band music to a wider audience.

Villa-Lobos wrote some amazing works for band.  I'm especially impressed with the late (1959) work Concerto Grosso for Woodwind Quartet & Wind Orchestra, which really deserves to be better known.  There are two excellent recordings of this work, on Naxos & Albany.  You can listen to both at The Naxos Music Library.

Monday, February 22, 2010

Mosaicos videos



In a special from the Brazilian TV program Mosaicos, available on YouTube in 6 parts, you can watch a who's-who of great Villa-Lobos performers: Turíbio Santos, Gilberto Tinetti, Roberto Duarte, Quinteto Villa-Lobos, Paulo Pedrassoli, Eduardo Monteiro, amongst many more.  This special includes some archival video of some great performers of the past that I haven't seen before. I'm looking forward to watching these!

Watch the remaining parts here.

Yerma at SouthBank

From July 1989, a programme from the European premiere of Yerma.  The performance received high marks from a reviewer who knows his Villa-Lobos: Guy Rickards (Tempo, September 1989, pp. 42-43.)  Odaline de la Martinez has recorded one of the best CDs of Villa-Lobos's chamber music for Lorelt.  It's high time for her to bring Yerma to the recording studio!

Thanks to Harold Lewis for this.

Saturday, February 20, 2010

Canção Carioca: Song from Rio

Steve Griggs is one of a number of jazz masters who is contributing to a really interesting musical re-appraisal of Villa-Lobos in the 21st Century.  The Steve Griggs Ensemble's Brazilian Serenade was a very successful part of the Ano Villa-Lobos celebrations of last November, and the new project is timed to celebrate Villa's birthday in March.

Besides Villa's Suite floral, Ciclo Brasileiro, Brinquedo da Roda, and Bachianas Brasileiras, Canção Carioca includes music by Ernesto Nazareth, Darius Milhaud, Horace Silver, and Tom Jobim.  Go to the Steve Griggs website for more on this exciting project.

Thursday, February 18, 2010

Cyro Baptista Vira Loucos Tour

Percussionist and composer Cyro Baptista was born in Brazil, but moved in 1980 to the U.S.  In 1997 he worked with Michael Tilson Thomas in Miami, on the very successful New World Symphony CD of Villa-Lobos music, and the same year he released his album of music based on Villa-Lobos themes: Vira Loucos.

In the years since then, Baptista has been a busy musician, working with people like John Zorn, Yo-Yo Ma, Herbie Hancock, Daniel Barenboim, and Wynton Marsalis.  His latest project is Banquet of the Spirits, which is especially recommended.   My favourite track is Macunaima, which refers to the wildest side of the Brazilian experience.

Luckily for us, Cyro Baptista will be returning to his Vira Loucos material in an upcoming U.S. tour.  Eleonora Alberto, Baptista's manager, tells me that a number of dates are confirmed, but that additional ones may still be added:

October 13: Zankel Hall, NYC
October 15: Richmond VA
October 17: Warm Springs VA
October 26: Austin TX

Contact Eleonora if you'd like to book another date, or for more information on the tour.

Visit Cyro Baptista's website, his Vira Loucos page, and his Banquet of the Spirits Myspace page.

Monday, February 15, 2010

Villa-Lobos en dix ouevres

The excellent Villa-Lobos section of the France Musique website includes a list of 10 characteristic works (or groups of works) that best represent the composer.  Here is the list, which also includes suggested recordings:
  1. Amazonas (for orchestra)
  2. Rudepoema (for piano)
  3. Prole do Bebe (both suites)
  4. Momoprecoce
  5. The Choros series (includes an interview with conductor John Neshling)
  6. Etudes for guitar
  7. Guitar concerto
  8. The Bachianas Brasileiras series
  9. O Descobrimento do Brasil
  10. The 12 Symphonies
This is an admirable list, but my own is a bit different:
  1. Uirapuru
  2. Rudepoema for piano
  3. Prole do Bebe suites
  4. The Choros: Villa-Lobos's greatest music
  5. Nonetto: a chamber work that stands with the best of the Choros series
  6. Guitar Preludes
  7. The String Quartet series
  8. Bachianas Brasileiras
  9. Missa Sao Sebastiao (though the late choral work Bendita Sabedoria could have taken its place)
  10. Forest of the Amazon
Let me know what you think of these lists; feel free to include your own list in the comments below.

Saturday, February 13, 2010

Villa-Lobos in Brussels



Villa-Lobos prepares a Belgian orchestra for a concert celebrating Brazil's National Day, September 1958 (AP Photo).

Villa-Lobos at the Martha Argerich Project


From the Martha Argerich Project website, two performances of Villa-Lobos pieces are available for streaming online:
  • Valsa da Dor by Mirabela Dina, from a 2006 performance, and 
  • Choros #05 by Eduardo Huber, from a 2008 performance.
I'm looking forward to exploring this site some more.

Tuesday, February 2, 2010

Ave Maria



This is a lovely performance of the 1938 version of the Ave Maria from the Wicker Park Choral Singers in Chicago, last Christmas. Go to Geert Cuypers' excellent Ave Maria website for more information. He's done an amazing job of tracking down all the different versions that Villa-Lobos may have written (perhaps as many as26!)

Monday, February 1, 2010

Villa-Lobos on Cultura FM - February 2010

Every month I post highlights from the upcoming schedule of Cultura FM from Sao Paulo. Since you can listen live to this station on the Internet, it's a great way to hear Brazilian classical music.

February 4:
07:00 DESPERTE COM OS CLÁSSICOS:
Heitor VILLA-LOBOS - Carnaval de Pierrot (completado por Amaral Vieira). Sonia Rubinsky (piano)./ Wolfgang Amadeus MOZART - Quinteto para piano e sopros K. 452. Murray Perahia (piano). Membros da Orquestra de Camera Inglesa ./ Giacomo ROSSINI - Sonata a quattro n°1 em sol maior. I Musici./ Piotr Ilyich TCHAIKOVSKY - Lembranças de um lugar querido, op. 42. Nobuko Imai (viola). Roland Pöntinen (piano). / SCHULZ-EVLER - Arabescos sobre "O Danúbio Azul". Piers Lane (piano)./ Peter KIESEWETTER - Tango Pathetique. Martha Argerich (piano). Gidon Kremer (violino). Mischa Maisky (violoncelo)

more

Sunday, January 31, 2010

Streaming audio on Mbaraka

A new online magazine called Mbaraka, from Rádio Cultura FM and the Fundação Padre Anchieta, provides cultural stories and streaming music in a variety of classical genres. There are a host of Villa-Lobos works there: Sonia Rubinsky on the piano, the Nonetto with Gil Jardem, Choros conducted by John Neschling on BIS, Leopold Stokowski's famous recording of Uirapuru, and some works conducted by Villa-Lobos in Paris in the 1950s.  Besides Villa-Lobos, though, there are many classical and jazz performances by composers like Varese, Copland, Bach, Handel, and performers such as Egberto Gismonti, Charlie Haden, Keith Jarrett, and Jan Pascal Tortelier.  This site is highly recommended.

Complete Villa-Lobos Piano works on CD

Brazilian pianist Marcelo Bratke's new series of the complete Villa-Lobos piano works on the Quartz label has been announced for early in February 2010.  Read the full-page article, which includes an interview with Bratke, in Estado de Sao Paulo [left] - and in Google translation.

Meanwhile, the fascinating story of Bratke's nearly-lifelong vision problems broke in a Daily Mail story by Kate Snell earlier this weekend.  It's pretty amazing story that we hadn't heard of this before, considering how serious Bratke's disability was, and what an amazing pianist he is.

The new series is due February 5 from Quartz Music; there's no sign of it yet on their website, or on Bratke's own website.

Monday, January 25, 2010

Naxos Customer Review Team

I've been reviewing CDs and DVDs as a member of the Naxos Customer Review Team for a few months now. Naturally, there are Villa-Lobos discs included on this list, and music from Latin America. Somehow, some way, though, I manage to mention Villa-Lobos in pretty much every review! Who'd have thought that!

Here is a complete list of reviews as they appear at Amazon.com. You'll also see these reviews showing up in a wide variety of online shops: naxosdirect.com, hbdirect.com, barnesandnoble.com, overstock.com, cduniverse.com, buy.com, rateitall.com, and the iTunes store.

My most recent review is for the amazing Mats Bergstrom's disc of music by Francisco Tarrega. This is very, very highly recommended!

Friday, January 22, 2010

Machaca: 'Los Ambulantes'



Guitarist Morgan Szymanski's group Machaca will be launching a new album at South Bank Centre on April 27, 2010. "Los Ambulantes" includes music by Villa-Lobos, Piazzolla, Lauro, Machado, Iannarelli, Cardoso and the world premiere of a new work by Stephen McNeff.

Machaca made quite a stir with the release of their 2007 album "Mano a Mano", which includes a nice version of the Aria from Bachianas Brasileiras, featuring soprano Laura Mitchell.

Tuesday, January 19, 2010

Home movies


Another Globo Video: This five-minute video includes amazing 8mm home movie footage of Villa-Lobos playing the piano and the guitar, conducting, playing pool, hanging out with friends and colleagues, and walking arm and arm with Mindinha on the deck of an ocean liner. He's nearly always smiling, and pretty much always has a cigar in his mouth or hand.

Again, the video may take a while to load. The soundtrack is the final movement of Bachianas Brasileiras #4, Danza (Miudinho). Though the caption of the video is "Villa-Lobos toca piano", I'm not sure if that's the composer playing the piece or not.

I love the footage of Villa-Lobos playing the guitar for his aged mother while Mindinha knits in the background. What memories the music must have for Noemia Villa-Lobos!

His relationship with his mother, a vital woman in her eighties, according to Villa-Lobos, is almost that of a young boy. She watches all his activities. Although she is a gentle old lady, he is still in awe of her and would not like ever to incur her displeasure. He sent her letters and telegrams and phoned her at Christmas, always very anxious to hear from her, all through his sojourn in the United States. He told me that she was very upset about his taking a plane for his trip and was adamant in her demand to go with him to the airport. 'I shall not be surprised,' he added, 'if she is there when I return.'
- from Henri Leiser's article "Villa-Lobos: Ambassador of Music", Musical Courier, May 1, 1945, p. 7

Villa's mother died in 1946, soon after Leiser's article was published.

Villa-Lobos em 3 tempos

The third and final episode of the Globo TV series "Villa-Lobos em 3 tempos." With interesting performance and archival footage, this is of interest to all Villa-Lobos lovers, even those (like me) who don't know Portuguese.

This takes a while to load, but it's worth it!

Friday, January 15, 2010

Harmonica Jam

This program from the Rockford IL Symphony ( @RkfdSymphony ) is really cool, and an innovative way to promote classical music:
HARMONICA JAM!
Join Robert Bonfiglio and the RSO Staff for a special Harmonica Jam at 7:30 p.m. on Friday, January 15 at Cliffbreakers. Cost is $10 in advance and $15 at the door. The first 50 guests receive a FREE Harmonica. To make your reservation, call the RSO at 815.965.0049 or Click here.
Of course, Robert Bonfiglio is one of Villa-Lobos's greatest advocates. He's played the Harmonica Concerto many, many times around the world, and will do so again on Saturday the 16th with Steven Larsen conducting the Rockford SO. Incidentally, the programme for the rest of that concert looks really interesting! The concert notes are at the RSO site.

So get out there and pick up that harmonica!

Wednesday, January 13, 2010

The Moment Symphony (0'01")

Once a reporter objected to the length of his work, which in his opinion, took too much playing time for Americans. 'You probably don't know,' he answered, 'that I am now preparing a new work which will not take much of your time. It is called a Moment Symphony, and designated for Madison Square Garden, with a super-orchestra of several hundred musicians and more than a thousand choral singers. The conductor will appear on the podium, raise his baton with his right hand, his eyes fixed on a watch in his left hand, then turn around to the audience, and the whole symphony is completed!'
Henri Leiser, "Villa-Lobos: Ambassador of Music," Musical Courier, May 1, 1945.

Villa-Lobos's career is full of practical jokes. The little joke of the Moment Symphony is on one level like the leg-pulling Villa indulged in when he was first in Paris. Daniella Thompson quotes Darius Milhaud, who tells this story about his friend Villa-Lobos:
...when traveling in the Amazon in search of Indian folklore he had found some themes which the Indians themselves had forgotten but that the parrots who live for two hundred years were still singing.
But his musical sense of humour also reminds me of some of the people he came across in Paris in the 1920s: Cocteau, Satie, and the Dadaists. It's interesting that Villa-Lobos, who included a prepared piano in his 1928 Choros #08, should come up with the concept for a musical piece 0'01", five years before John Cage's 4'33".

Monday, January 11, 2010

Arminda and Rubinstein



A picture of Arminda Villa-Lobos (the composer's widow) with Villa's great friend Arthur Rubinstein. This is from the digital library of the PATRIMONIO CULTURAL DE LA FUNDACIÓN ALBÉNIZ, and is dated April 1973.

Friday, January 8, 2010

Música e Músicos do Brasil





The program Música e Músicos do Brasil appears every Saturday at 12 noon (9 am EST, 7 am MST here in Red Deer) on the Brazilian radio station MEC-FM.  It's repeated the following Tuesday at 10 pm (7 pm EST, 5 pm MST).  You can listen here online.

Here are programs coming up in January and February 2010 that feature Villa-Lobos:

JANEIRO
Dia 09 – CARLA DOMINGUES – soprano
Carla dá um depoimento sobre a sua vida e carreira e, acompanhada pelo pianista Cláudio Thompson,  interpreta canções de Villa-Lobos, Alceu Camargo, Frederico Richter, Klebler Alexandre, e árias das óperas Os Contos de Hoffmann, de Offenbach e Hamlet, de Ambroise Thomas.

Dia 30 – RICARDO ROCHA – regente – 3º programa
Continuação do depoimento do Maestro Ricardo Rocha.
Apresentação de trechos das Bachianas Brasileiras nºs 1, 5, com Orquestra de Violoncelos e a soprano Veruschka Mainhard e Bachianas Brasileiras nº 3, com a Orquestra Bachiana Brasileira e o pianista Flávio Augusto. Todos sob a regência de Ricardo Rocha.

FEVEREIRO
Dia 20 – MARCOS ALAN – violonista e compositor.
A violonista e professora Graça Alan, fala sobre a vida, carreira e composições de Marcos Alan, seu irmão, falecido precocemente aos 17 anos. No programa, gravações de Marcos tocando obras de Heitor Villa-Lobos e de sua autoria.

Dia 27 – EDILSON LEAL – Pianista.
Edilson fala da sua vida, dos seus estudos e carreira e interpreta Cenas Infantis, de Schumann; Étude de Tableaux op. 33, nº 8 e Momento Musical Ops. 16, nºs. 2  e  4, de Rachmaninov; e Bachianas nº 4, de Heitor Villa-Lobos.

Tuesday, January 5, 2010

Was Villa-Lobos wrong?

A new book by conductor and scholar Roberto Duarte entitled Villa-Lobos errou? looks at the often chaotic state of Villa-Lobos's scores. According to Duarte, who has published careful studies of Villa's orchestral scores in the past (the two-volume Revisão das Obras Orquestrais de Villa-Lobos in 1994) notes that "his mind was much faster than his hands." Villa-Lobos wrote so many notes that it would have required a super-human to keep everything perfect. As Duarte says, the composer was "intensely human."

The book is trilingual: Portuguese, German, & English. I'll see if I can order it from the Great White North, and report back here. It's for sale at Algol Editora and Loja Classicos.

Monday, January 4, 2010

Piano Concerto #2 from Cuba



Ulises Hernandez plays the first movement of the 2nd Piano Concerto, with the Orquesta Sinfónica Nacional de Cuba under the direction of Enrique Pérez Mesa, from a concert recorded in Havana in 2003.  It's really unfortunate that the CD/DVD set of the five concertos from Cuba is no longer available.  Did anyone get a chance to buy this before it vanished?  My initial order to Amazon.com wasn't filled before it went missing.  I'm continuing to check eBay for it!

Saturday, January 2, 2010

Villa-Lobos "O Educador das Massas"

This exhibit at the National Library (Divisão de Música e Arquivo Sonoro da Biblioteca Nacional, at the Palácio Capanema, localizado na Rua da Imprensa) runs from December 14, 2009 to Febuary 11, 2010. The focus is on Villa's work for the Vargas regime in the 1930s, as head of Superintendência da Educação Musical e Artística (SEMA).


I love the quote on the poster:

Brazil needs education, an education which is not of stuffed birds in museums, but broad flights of art in heaven.

Wednesday, December 30, 2009

New book by Fábio Zanon

The guitarist and music professor Fábio Zanon has published a new book on the music of Villa-Lobos. Here is the complete bibliographic information:

Título: Folha Explica: Villa-Lobos
Autor: Fábio Zanon
Editora: Publifolha
Edição: 1a. edição, 2009
Idioma: Português
Número de páginas: 120 páginas
Formato: 11 cm x 18 cm (largura x altura)
Especificação: Offset 90 g/m², 1x1 Cor, Brochura
Peso: 111 gramas
ISBN: 978-85-7914-127-0
ISBN-13: 978-85-7914-127-0
Área: Folha Explica

Zanon discusses Villa-Lobos and his new book in this video. Critic Franco Irineu Perpetuo speaks very highly of the new book in this article.

Villa-Lobos on Cultura FM - January 2010

Every month I post highlights from the upcoming schedule of Cultura FM from Sao Paulo. Since you can listen live to this station on the Internet, it's a great way to hear Brazilian classical music.

January 4:
15:00 TARDE CULTURA - Música e Notícia:
Entre outras obras, Pequena Suíte de Heitor VILLA-LOBOS. Rebecca Rust (viloncelo). David Apter (piano).

more

Tuesday, December 29, 2009

Diapason, November 2009



This splendid image is from the "Alma Brasileira", the Villa-Lobos story by Francois Laurent in the November 2009 issue of Diapason magazine (p. 56-61). I don't remember seeing this picture before, though it certainly evokes one side of Villa's personality. Laurent knows the Villa-Lobos discography really, really well. His "indispensable" picks on CD:
  • Villa-Lobos par lui-meme
  • The Cuarteto Latinoamericano complete String Quartets
  • The BIS complete Bachianas Brasileiras and Choros
  • Anna Stella Schic's complete piano music
  • Carl St. Clair's complete Symphonies on cpo

Monday, December 28, 2009

Report from Paris

In a recent column Alexandre Freitas provides some information on "Hommage à Villa-Lobos", an international conference that took place at the Sorbonne on December 14-15, 2009. This event attracted some of the most distinguished European scholars, including Eero Tarasti from Helsinki, the semiologist turned Villa-Lobos biographer, and Anaïs Flechet from Paris, who has recently written a Villa-Lobos book. As well, there were reports from Brazilian musicians such as Sonia Rubinsky, Roberto Duarte, and Ricardo Tacuchian.

There's more information on the Conference here.

Saturday, December 26, 2009

Hommage à Chopin


Just in time for the Chopin Bi-Centennial, this upcoming Hyperion disc by pianist Jonathan Plowright (to be released in February 2010) includes Hommage à Chopin, the work that Villa-Lobos wrote for the 100th Anniversary of Chopin's death in 1949. The Hyperion Records website includes audio clips and a PDF of the excellent notes by Jeremy Nicholas.

Watch for this work to show up in a lot of Chopin concerts this coming year.

Tuesday, December 22, 2009

Villa-Lobos: Sua Obra

It's been difficult over the years to get a clear picture of the complete catalogue of Villa-Lobos's music, but musico-bibliographers have been working behind the scenes to bring things into focus. The Museu Villa-Lobos began to clean things up with the publication in 1965 with the first edition of Villa-Lobos: Sua Obra. This was followed by the 2nd edition in 1972.

David P. Appleby became Villa's Köchel in 1988, with the publication of his 1988 book Heitor Villa-Lobos: a bio-bibliography. (Bio-bibliographies in music, no. 9. New York: Greenwood Press). Appleby came up with 567 numbers ("W" for Work, though these are often changed to "A" for Appleby, which is only right) for the major pieces Villa-Lobos wrote.  There are certainly missing works in Appleby's listing, and he didn't include a fair number of choral and vocal works included in the Musica Sacra and Guia Pratico collections in the main listing.  However, Appleby's list should reduce some of the hyperbole concerning Villa-Lobos's prodigious output (though there are lots of sources out there that continue to throw out 2,000 as a total).

Appleby's book was immediately followed in 1989 by the third edition of Villa-Lobos: Sua Obra, by the Museu Villa-Lobos.  These two works have been my main guides in my Villa-Lobos web work so far.

So it's exciting to see the publication on the Museu Villa-Lobos website of the new edition of Villa-Lobos: Sua Obra.  This 2009 publication is termed "Versão 1.0, based on the 1989 edition".  It will be interesting to see how much new information is included in this 362 page catalogue, which you can download here.  Thanks once more to the amazing Museu Villa-Lobos for their work in making the music of Villa-Lobos more accessible in the 21st Century.

Monday, December 21, 2009

47th Festival Villa-Lobos Video


Congratulations to Marcelo Rodolfo from the Museu Villa-Lobos, for putting together such a successful Festival.

Thursday, December 17, 2009

Robert Bonfiglio plays the Harmonica Concerto

Robert Bonfiglio is an amazing advocate for Villa-Lobos; he's performed the Harmonica Concerto around the world many, many times. You can listen to all three movements of this work at YouTube, taken from a live concert with the Gewandhaus Orchestra conducted by Fabio Luisi. The first movement is here, the second movement is here, and the third movement, with pictures from Bonfiglio's September 2009 visit to the famous Manaus Opera House, is below:



Robert has a couple of performances of the Harmonica Concerto coming up in the New Year: with the the Galicia Symphony, conducted by Enrique Diemecke, on January 4th; and with the Rockford Symphony, conducted by Steven Larsen, on January 16th.

Feliz Natal


Villa-Lobos wrote Feliz Natal, to words by Manuel Bandeira, in 1945. This lovely piece (beautifully sung here by the a cappella group InCanto) is obviously well-known in Brazil, since the audience join in for the last verse.

You can see the first bit of the original score here.

Tuesday, December 15, 2009

Projeto B's "A Viagem de Villa-Lobos"

I've posted a few times about the amazing "A Viagem de Villa-Lobos" by Projeto B. Here's a chance to listen to the whole album streamed online, from the excellent Rádio UOL website.

Here are Villa-Lobos and the members of Projeto B, as drawn by Manu Maltez. There's more information about the CD here.

Choros #10 in Santo André

Here's the first part of Choros #10, performed by the Orquestra Sinfônica de Santo André and the Coro da Cidade de Santo André e Coro da Unesp, conducted by Carlos Moreno.



Things have changed a lot in the fifteen years since I began doing Villa-Lobos work on the web. I've always posted information about Villa-Lobos concerts, but here's nearly instant video from a concert in Brazil the day before yesterday!

Here's part two.

The Guitar Etudes arranged for piano

In their book Choro: a social history, Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia discuss the influence of Chopin on the guitar etudes.
To some degree, his guitar works also pay homage to Chopin, whose piano etudes were clearly the model for Villa-Lobos's estudos for guitar. These are true concert etudes for the guitar and, like the Chopin works, are meant for the stage; they are not limited to the status of mere pedagogical tools. Villa-Lobos's Estudos also represent an attempt, consciously or subconsiously, to legitimate the guitar as a concert instrument and raise it to the level of the piano... [p. 189]
The Serbian pianist Julija Bal has arranged a number of the etudes for piano, and I think they sound really well on the instrument.  You can listen to them at Bal's excellent website.

By the way, Jose Vieira Brandao adapted the five guitar preludes for piano.  Sonia Rubinsky plays them on volume 7 of her complete Naxos series of Villa-Lobos piano music.

Saturday, December 12, 2009

Projeto B's Villa-Lobos

A great arrangment of Choros #2 performed by Projeto B, from their recent CD "A Viagem de Villa-Lobos".

Tuesday, December 8, 2009

Interview with BIS's Robert von Bahr


The latest issue of Fanfare includes an interview by Martin Anderson with Robert von Bahr of the Swedish record company BIS.  The recent Diapason d’Or de l’Année award to BIS for John Neschling's recordings of the complete Choros was mentioned by von Bahr, who is still scratching his head about Neschling's ouster from his post with Osesp.  "Neschling really kept the orchestra on its toes," von Bahr said.

He mentioned that BIS will be recording again in Sao Paulo, in February 2010.  One can only hope that BIS might be starting a complete recording of Villa-Lobos orchestral works.  If they could raise the bar for such great works as Amazonas, Uirapuru, Erosão, and Ruda the same way they did for the Bachianas Brasileiras and Choros, that would be a great start for Villa-Lobos in the coming year.

Friday, December 4, 2009

TV Cultura documentary footage

Here are scenes from the November 17, 2009 Villa-Lobos documentary on TV Cultura's program Metrópolis.

Tuesday, December 1, 2009

Villa-Lobos on Cultura FM: December 2009

Every month I post highlights from the upcoming schedule of Cultura FM from Sao Paulo. Since you can listen live to this station on the Internet, it's a great way to hear Brazilian classical music. Occasionally Cultura FM presents live concerts or rare recordings. This month there are interesting concerts on the 2nd, 19th, 26th, and 27th.

December 2
21:00 OSESP AO VIVO - Gravações exclusivas realizadas na Sala São Paulo:
Luciano GALLET - Dança brasileira. Francis HIME - Concerto para Violão. Heitor VILLA-LOBOS - Bachianas brasileiras nº 7. Arturo MÁRQUEZ - Danzon nº 2. Fábio Zanon violão. Alondra de La Parra, regente

December 6
11:00 O BRASIL DE VILLA-LOBOS - com Turíbio Santos - Edição Especial:
Sinfonia nº 4 (Vitória) e Sinfonia nº 5 (Melodia das montanhas). Orquestra Sinfonia da Rádio de Stuttgart. Reg. Carl St. Clair.

December 13
11:00 O BRASIL DE VILLA-LOBOS - por Turíbio Santos - Edição Especial:
Ciranda das sete notas para fagote orquestra de cordas - Ezequiel Fainguersel (fagote) e Orquestra de Câmara de Bloomingtou. Reg. Thomasz Golka

December 14
13:00 DELICATESSEN com Teresa Lima:
Henry PURCELL - Chacona em Sol menor. Musica Antiqua Köln. Reg.: Reinhard Goebel. / Anton Bernhard FÜRSTENAU - Serenata. Rogério Wolf (flauta). Marcelo Jaffé (viola). Paulo Porto Alegre (violão). / VILLA-LOBOS - Sonata para violoncelo e piano n°2 op. 66. Monique Duphil (piano). Jay Humenston (violoncelo).

December 18
13:00 DELICATESSEN com Teresa Lima:
VILLA-LOBOS - Trio n° 1. Aulustrio.

December 19
10:00 CIRANDA - Academia Brasileira de Música:
VILLA-LOBOS - Ciranda das Sete Notas para fagote e cordas. Andrés Engström (fagote). Ensemble Instrumental de Grenoble. Reg.: Marc Tardue.

December 20
11:00 O BRASIL DE VILLA-LOBOS com Turíbio Santos - Edição Especial:
Pequena Suíte para violoncelo e piano composta em 1913. Sonata nº 2 para piano e cello composta em 1916. Antonio Menezes (cello) e Cristina Ortiz (piano).

December 26
17:00 MUSICA DE CAMARA - EDIÇÃO ESPECIAL: OFERENDA MUSICAL - Gravações exclusivas no Teatro São Pedro:
Heitor VILLA-LOBOS - Quatuor para flauta, oboé, clarinete e fagote. Rogério Wolf (flauta), Hansjörg Schellenberger (oboé), Ovanir Buosi (clarinete), Fábio Cury (fagote). / Niccolò PAGANINI - Quarteto para violão e cordas No.9. Fábio Zanon, (violão), Betina Stegmann (violino). Alexandre Razera (viola), Antonio Lauro Del Claro (violoncelo). / Heitor VILLA-LOBOS - Prelúdios para violão solo
Prelúdio No. 2 em Mi Maior - Andantino / Prelúdio No. 4 em Mi Menor - Lento / Prelúdio No. 1 em Mi Maior - Andantino expressivo. Fábio Zanon (violão)

December 27
11:00 O BRASIL DE VILLA-LOBOS - por Turíbio Santos - Edição Especial:
Choros nº 6 - Orquestra Rias de Berlim. Reg. Heitor Villa-Lobos / Melodia Sentimental e O Martelo. Conjunto Rabo de Lagartixa./ Chorinho da Suíte Popu lar Brasileira. Henrique Annes (violão)
20:00 MUSICA CONTEMPORANEA - Concertos CPFL ao vivo. Apresentação: João Marcos Coelho:
Heitor VILLA-LOBOS - Serestas sobre impressões de Paris./ FAURÉ/ Reynaldo HAHN/ DEBUSSY/ RAVEL/ POULENC - Canções. Manuela Freua (soprano). Dana Radu (piano).

December 29
14:00 PIANÍSSIMO - Apresentação do pianista e professor Gilberto Tinetti:
VILLA-LOBOS: BACHIANAS 03 _ JEAN-LOUIS STEUERMAN OSESP GUARNIERI: CONCERTO 2 - EUDOXIA DE BARROS

December 30
01:00 PIANÍSSIMO - Apresentação do pianista e professor Gilberto Tinetti:
VILLA-LOBOS: BACHIANAS 03 _ JEAN-LOUIS STEUERMAN OSESP
GUARNIERI: CONCERTO 2 - EUDOXIA DE BARROS

Festival Villa-Lobos in Caracas

From Venezuela, the 3rd annual Festival Villa-Lobos, featuring the famous Sinfónica de la Juventud Venezolana Simón Bolívar, and the Sinfónica Juvenil de Caracas.  These are heavy-weight Villa-Lobos programmes!

Thursday, November 26, 2009

Villa Lobos – Uma canção de amor



Here's another homage to Villa-Lobos, by the Escola de Dança Petite Danse. Featured music includes “Cair da Tarde”, “Evocação”, “Miudinho”, “Cubanita”, “Remeiro do São Francisco”, “Bachianas Brasileiras nº 5”, A maré encheu, “O Canto do Uirapuru” and “Trenzinho do Caipira.”

Wednesday, November 25, 2009

Homenaje a Heitor Villa-Lobos in Madrid



This "Homenaje a Heitor Villa-Lobos" includes new works for oboe, guitar and cello written in honour of the composer by Félix Sierra (b. 1947) and Jorge de Carlos (b. 1954). Both are professors at the Royal Conservatoire of Madrid.

These works will be played by the Trío Cordvent (Vicente Fernández Martínez, oboe; Jesús Saiz Huedo, guitar; and Juan Enrique Sainz Jiménez, cello). There's more about the event here.

Deus e o Diabo na Terra do Sol

I haven't seen Glauber Rocha's 1964 film Deus e o Diabo na Terra do Sol (called Black God, White Devil in the U.S.), but I recently came across the original trailer on YouTube:



I didn't realize how important the Villa-Lobos score was to this film - it's clear from the trailer that Rocha has an ear for the effective use of orchestral music in telling a story.

Susan Schild highlights this in her review of the film at filmreference.com.
The outstanding sound track alternates Bach with Villa-Lobos, whose Fifth Bachiana contributes to one of the film's most striking moments: the love scene of Corisco and Rosa, choreographed and rhythmical, an unexpected outpouring of guileless poetry against a desolate backdrop marked by poverty and violence.

Tuesday, November 24, 2009

Villa in Concert



This concert in the Viva Villa! series includes songs from the Guia Pratico. I would imagine that the concert might include songs Villa-Lobos that conducted in one of his mass-choir Canto Orfeonica concerts, like the one pictured in the poster: at the Campo do Fluminense in Rio de Janeiro in 1932.

Friday, November 20, 2009

Editorial in O Globo


This moving editorial in the November 18, 2009 edition of O Globo is the culmination of months of Villa-Lobos's increasing profile in Brazil. There's a lot of love for Villa in that country!

Here is the Google English translation. "You do not need any special talent, no specific knowledge, to hear the "Little Train of the Caipira" and get in touch with the deep Brazil."

New Villa-Lobos Book



The new book Villa-Lobos: Processos composicionais, by Paulo de Tarso Salles
(CMU-ECA/USP) includes musical analysis of the Choros, Bachianas, Amazonas, Uirapuru, and the guitar and piano music.

The book's references to Stravinksy, Bartok, Schoenberg, and Webern should be helpful in placing Villa-Lobos within the mainstream of 20th century music, rather than the Amazonian back-waters in which his reputation has been mired for much of the time since his death 50 years ago.

Wednesday, November 18, 2009

O Martírio dos Insetos

The publication of a new Villa-Lobos score is an exciting event. O Martírio dos Insetos, written in 1925 for violin and orchestra, has been edited and adapted by violin & piano by Ricardo Averbach.

This is a piece I've never heard. There is a 2006 Brazilian CD Impressões Brasileiras, by violinist Daniel Guedes and pianist Flavio Augusto, with the violin & piano version.

You can buy the score from Sheetmusicplus.com or Amazon.com.

Tuesday, November 17, 2009

Villa walks through the city

Tributes to Villa-Lobos on the 50th Anniversary of his death have come from visual as well as musical artists. One example is the Tribute to Villa-Lobos at the UN. And there are some great new caricatures of Villa-Lobos (here and here), who has been the subject of as many clever but good-natured caricatures as any famous composer I know of.

This project by artist Manu Maltez looks really cool. Maltez drew the cover of Projeto B's new CD A Viagem de Villa-Lobos. That image of a driven composer is only part of a sixty-page book of a an imagined trip by Villa-Lobos through Rio de Janeiro. Maltez's blog includes a number of arresting images from this project. They're a bit of a challenge coming after the jolly caricatures of a kindly and self-possessed celebrity.

Here's a bit of Google-translated commentary from Maltez's blog:
Presence is what is the person after it has gone. I wanted to draw this atmosphere. Carve smoke. One of the things I like most about this art thing is that we can suggest both without having to confirm anything.



Guess who's charuto?



Rio was Villa's city, and it's the city of Maltez.
I took the guy to walk through my city just to see what was left.
Us.

The big day in Brazil



Today is the 50th anniversary of the death of Villa-Lobos: November 17, 1959. Villa-Lobos lovers are celebrating his music with special concerts, conferences, and exhibitions around the world: in Rio, Sao Paulo, New York, Luxembourg, and Paris. But in Brazil the date is being especially remembered, and not just in the classical music press. The newspaper page above, featuring a great Villa-Lobos caricature by Baptistao, is from yesterday's O Estado de Sao Paulo (November 16, 2009). And below is a page from today's edition (November 17, 2009) of O Globo in Rio de Janeiro:

Sunday, November 15, 2009

Villa-Lobos: Legends & Facts



A new article in Bravo! by Paulo Nadal presents Lendas e Fatos (Legends and Facts) about Villa-Lobos. I learned lots about Villa-Lobos from this; even in Google's Translation. Some fun facts:
  • Villa was involved in a tribute to the famous Brazilian aviator Santos Dumont in 1903. This was during his two-year stint with the choroes group Cavaquinho de Ouro, led by Quincas Laranjeira.
  • Villa's first gig as a conductor was in 1908, at the Theatro Santa Celina in Paranaguá PR. During this period (and this is where I might be missing something in the translation), Villa was on the run from the (choros-persecuting?) police.
  • Villa-Lobos learned about the music and culture of the Amazonian Indians from the files of anthropologist Edgar Roquette-Pinto and his brother Raul Bormann, who was part of the famous Cândido Rondon Expedition. Rondon was part of the famous River of Doubt trip with Teddy Roosevelt.
The amazing picture above is by Marcos Garupi.

Tuesday, November 10, 2009

Siberian Virtuosi at the Concurso Nacional Villa-Lobos

The Concurso Nacional Villa-Lobos started in 1979, under the patronage of Mindinha, and has continued on and off since then. The ninth competition begins in Vitória ES on November 12, 2009, with a concert by the Russian Chamber Orchestra "Siberian Virtuosi", that features Bachianas Brasileiras #9.

The Competition has categories for Piano, Voice, & Guitar. [PDF on slideshow.com - free registration required]

Monday, November 9, 2009

More about John Neschling's Música Mundana

This interview by John Neschling by João Luiz Sampaio, following the recent publication of Neschling's book Música Mundana, includes some fascinating insights into the classical music world in Brazil and around the world.  Neschling mentions in the interview that he'll be going to Paris to accept the Diapason d'Or for his Complete Villa-Lobos Choros CDs, and that he would like someday to follow up this recording (with his former orchestra, the Osesp) with a complete series of Choros with l'Orchestre National de France. 

Saturday, November 7, 2009

Homenaje a Villa-Lobos in Mexico


It's hard to keep track of the many major Villa-Lobos projects taking place this week around the world. Here's one from Mexico: Homenaje a Villa-Lobos at the Casa do Brasil, which takes place from November 13-20.

Friday, November 6, 2009

Sonia Rubinsky wins Latin Grammy

At last night's Latin Grammy awards ceremony, Sonia Rubinsky won a well-deserved award for Best Classical Recording for the 8th and last volume of her Complete Villa-Lobos Piano Music recordings for Naxos.

Here were the other nominated recordings:

Bach: Cello Suites
Andrés Díaz; Alan Bise, producer [Azica Records]

Cavaleiro Neukomm Criador da Música de Câmara no Brasil
Ricardo Kanji & Rosana Lanzelotte; Anna Carolina Gomes, producer [Biscoito Fino]

Concierto De Aniversario
Ricardo Morales & The Pacifica Quartett; Luis Enrique Juliá, producer [ProArte Musical]

Thursday, November 5, 2009

John Neschling's Música Mundana



The Brazilian conductor John Neschling's new book Música Mundana is sure to make a stir when it's released next week. His dismissal from the Orquestra Sinfônica do Estado de São Paulo (Osesp) in January was highly controversial - I blogged about this story here and here. It will be interesting to see the response to this release.

Thanks once again to Carlos at the Audições Brasileiras blog for this information.

Wednesday, November 4, 2009

Le Week-end Villa-Lobos


"Le Week-end Villa-Lobos" is project of Radio France: three concerts in mid-December 2009 which feature the music of Villa-Lobos.

Le Week-end begins on Friday, Dec. 12, with a concert of the Orchestre National de France. Featured works include the first suite of the Descobrimento do Brasil and the second Cello Concerto with the great Brazilian cellist Antonio Meneses.

The second concert, on Saturday, Dec. 13, again features Meneses, this time with another stand-out Brazilian instrumentalist: pianist Cristina Ortiz. Finally, on Sunday, Dec. 14, the mini-festival ends with a concert by the Percussions de l'Orchestre National de France.

Villa-Lobos had a special feeling for the city of Paris. He lived there for long periods in the 1920s and the 1950s. He did some of his best conducting, and certainly his best recording, in the Radio France studios. I'm hoping that Radio France Musique eventually broadcasts all three of these concerts. If they do, I'll post the information here, and I'll be listening on my great Radio France iPhone app.

Latin American Cultural Week '09 in NYC



The 2009 version of NYC's Latin American Cultural Week includes two important all Villa-Lobos concerts. On November 8th, soprano Stela Brandao and pianist Max Lifchitz will perform the complete cycle of Modinhas & Canções. Then, on Nov. 10th, the Heitor Villa-Lobos Celebration II event will include some rarely performed chamber works:
  • Sextuor mystique (Sexteto mistico)
  • Quatuor symbolique (Quarteto simbolico)
  • Suite for Voice and Violin
  • Poêma da criança e sua mamâ
Performers continue to programme the tried-and-true works, but 2009, the Ano Villa-Lobos, has brought lots of more adventurous choices. The Quatuor symbolique, for example, is one of Villa's greatest chamber works, from his most creative modernist period. It's one thing to put together the odd combination of instruments - harp, celesta, flute, and saxophone - but probably another to add a good group of female voices. But it's all most worthwhile in the end. Perhaps after the significant new concert activity in 2009 (more than 100 concerts are listed in the Villa-Lobos Concerts database for November 2009 alone) we'll see some of Villa's unknown works show up more often in live performance and in good modern recordings.

Tuesday, November 3, 2009

Simpósio Internacional Heitor Villa-Lobos



While Cariocas will be busy all November at the 47th Festival Villa-Lobos, Paulistas will have their chance to delve into Villa's life and music at the International Villa-Lobos Symposium organized by the Music Department of the University of Sao Paulo, the Instituto de Estudos Brasileiros, and the USP Orchestra.  The event takes place from November 16-21.  Here is the program for the Symposium.

For more information go to the Symposium website.

Sunday, November 1, 2009

Tribute to Villa-Lobos at the UN

The Tribute to Villa-Lobos at the United Nations in New York continues until Nov. 6. Here's a video explaining the project:


Curator Alcinda Saphita walks through some of the works of art from the exhibition in this video.

Friday, October 30, 2009

Villa-Lobos on Cultura FM: November 2009

Every month I post highlights from the upcoming schedule of Cultura FM from Sao Paulo.  Since you can listen live to this station on the Internet, it's a great way to hear Brazilian classical music.  Occasionally Cultura FM presents live concerts or rare recordings.

This month is special: it's the climax of the Ano Villa-Lobos, with the 50th anniversary of Villa's death coming on the 17th of November.  Cultura FM has set aside big chunks of time to play and discuss Villa-Lobos's music, including the following (Google-translated into more-or-less English):

Highlights of the Villa-Lobos Month:
  • Cena Brasileira , Fridays, 20:00, totally devoted to Villa-Lobos,
  • O Brasil de Villa-Lobos (The Brazil of Villa-Lobos), Sundays at 11:00 [Museu Villa-Lobos Director Turíbio Santos continues his series],
  • Oferenda Musical (Musical Offering), Saturday, Nov. 7, 17:00,
  • Supertônica (Supertonic) November 15 at 21:00, the most popular works of the maestro at strategic points in the city,
  • From 00h on November 17, interventions throughout the programming marking the anniversary
  • The works of the maestro are presented on the programas Tema e Variações (Theme &Variations), Sala de Concerto (Concert Hall), Tarde Cultura e Noturno (Late Night Culture). 
Times are local Sao Paulo times, one hour ahead of EST.

Thursday, October 29, 2009

Seresta: Brazilian Serenade


There are so many American jazz musicians with a special relationship to the music of Villa-Lobos. Saxophonists like Branford Marsalis and Steve Wilson, have crossed over to the classical side to perform the Fantasia for Saxophone and Orchestra. Others, beginning famously with Gil Evans' version of BB#2 on Miles Davis's Sketches of Spain, have used Villa-Lobos as source material for jazz compositions. An important project from earlier this year was Robert Irving III's Sketches of Brazil. [Both were discussed in my post here, back in July 2009]. One of the most important projects from the past is 2003's Alegria by Wayne Shorter.

Here's another new project with a really strong Villa-Lobos pedigree. Seresta: Brazilian Serenade is designed as an homage to the composer on the 50th anniversary of his death in 1959, as well as to Miles Davis's Sketches of Spain from the same year. The Steve Griggs Ensemble is based in Seattle, and they will perform Griggs' work there on November 19th. The Seresta page on Griggs' website includes MP3 versions of computer renditions of his arrangements. Here's one of my favourites, "Xo Xo Passarinho" from Cirandas:



I'm impressed with what I've heard, but wish I could be at this performance. I hope it makes its way onto disc as well.

Tuesday, October 27, 2009

Villa-Lobos on Globo News

This promo for three special films on Villa-Lobos to be shown on Brazil's Globo News, beginning on November 8, includes some awesome home movie clips, plus a bit of Turibio Santos playing the guitar:




I'm assuming that Globo News is something like CBC Newsworld or CNN. I might be wrong, but I can't see either setting aside a lot of time for in-depth programs on classical musicians who died 50 years ago, even to fill their 24-hour schedules.

Thanks to a tweet from @claudiorgs for the heads-up on this.

Monday, October 26, 2009

Modinhas & Canções in NYC

Villa-Lobos wrote two series of Modinhas & Canções: the first in 1936 and the second in 1943. Both will be performed on Sunday, Nov. 3rd, at Christ & St Stephen’s Church in New York City, by soprano Stela Brandão and pianist Max Lifchitz. This free concert is organized by the Pan American Musical Art Research, Inc. (PAMAR), as part of the 4th Annual Latin American Cultural Week.

These two song cycles aren't often performed or recorded that often, but they include some very popular songs. The Lundú da Marqueza de Santos from the first set has become a real favourite, in versions for soprano & tenor, and in various instrumental arrangements (including one in the recent Quinteto Villa-Lobos CD.)

Wednesday, October 21, 2009

Tribute to Villa-Lobos at the U.N.



Later this month the United Nations will be the scene of a new exhibition "Tribute to Villa-Lobos", featuring paintings by Brazilian artists. One of the featured artists will be the Bahia-born Ferjo, whose room with piano is pictured above. Others include Alexandre Emmanuel, Artur Moreira, Cassia Maia, Flory Menezes, Cila Santos, Ed Ribeiro, Arlete Costa, Luciano Lima Lima, Arnaldo Garcez, Astride Rosa, Junia d’Affonseca, Deborah Costa, Isabel Amaro, Ricardo Nascimento, Iris Alvares, Sandra Romano, Maria Antonia, D. Finotto, Shizue, Laila Guimaraes, Lucia Tolentino, Gzanotti, Ce Granito. Institute Dirson Costa de Arte e Cultura Amazonicas: Indigenous Brazilians from the Amazon Duhigo, Dhiani Pa’saro, Sanipa, Too Xacwa, Yupury, Tchanpan, and Kawena.

The opening reception for the exhibit begins at 6:00 p.m. on October 30th, and will feature a concert by soprano Caroline Braga, tenor Denis Hurtado, guitarist Daniel Duarte, and pianist Livia Sandoval. More information is at the Consulate General of Brazil in New York website.
Thanks to artist Ed Ribeiro @edribeiroart whose tweet put me on to this.

Brazil Inspires Villa-Lobos

From the October 25, 1948 issue of Life (via Google Books). Villa-Lobos had a high reputation in the popular press in America at the time: "...rated by many critics as the best serious composer the Western Hemisphere has produced."


Thursday, October 15, 2009

Marcelo Bratke on Radio3



I've written before about Marcelo Bratke's big plans for the Ano Villa-Lobos, 2009. Here is the first part of a Radio3 interview by Sean Rafferty with Bratke (I believe from In Tune, last Sept. 11th).  The second part of the interview is here.  Looks like we have lots to look forward to - especially the upcoming complete Villa-Lobos piano recordings on the Quartz label - from this talented pianist!

Wednesday, October 14, 2009

Viva Villa!


A major new exhibition on Villa-Lobos has just opened in Rio de Janeiro. Viva Villa! is organized by the Arquivo Nacional, and runs from Oct. 12, 2009, to Jan. 5, 2010. The exhibit has an impressive list of partners, incuding the Museu Villa-Lobos (RJ), Library of Congress (Washington), Richard Rodgers Library, Spanish Institute, New York Public Library (New York), Bibliotheque Nationale (Paris), the Accademia Nazionale di Santa Cecília, and more.

Besides the exhibition of audio-visual materials relating to Villa's life and music, Viva Villa! will include concerts and film presentations.

The film component of the exhibition looks really interesting. Films include Humberto Mauro's "Descobrimento do Brasil", along with films from Brasil's Cinema Novo which feature Villa-Lobos music: "Deus e o Diabo na Terra do Sol" and "Terra em Transe" by Glauber Rocha; "Macunaíma" by Joaquim Pedro de Andrade; “Arraial do Cabo” by Paulo Cesar Sarraceni; and "Menino de Engenho" by Walter Lima Jr. Of course, Zelito Vianna's important biopic "Villa-Lobos: Uma Vida de Paixao" wll be featured as well.